Minor characters can be tricky. You want them to be interesting while they are in their scene, fleshing out minor characters enough to seem real. But you don’t want them to take over the narrative from the major characters. (If you find a minor character taking over your story, maybe you should consider it for revamping as major character.) If appropriate to the story, I try to incorporate humor when dealing with minor characters. Readers will get a laugh or a smile as these characters help propel the story. I learned this technique from one of my all-time favorite series, Kolchak: The Night Stalker.
Never heard of it?
You’re not alone. Kolchak: The Night Stalker was a series of twenty episodes that originally aired on American television from 1974-1975. Before that there were two TV movies. Over the years, the series has developed a cult following, and Chris Carter, creator of the X-Files, credits it for inspiring his sow.
All the movies and episodes deal with Carl Kolchak, a rumpled, wise-cracking reporter, bent on getting his story out to the public, no matter what stands in his way. And what stands in his way are vampires, werewolves, aliens, and other assorted monsters. For some reason, whenever Kolchak starts to investigate a story, he runs into the supernatural.
What makes the series work for me is a perfect blend of humor and horror. When Kolchak believes he has stumbled across an otherworldly culprit, he always does research, consulting experts he thinks will help his story. The show cast strong character actors in those roles and let them shine.
- When he finds feathers at the scene of a murder, Kolchak takes them to a taxidermist to be identified. The man gets extremely upset about how people don’t appreciate taxidermy as an art.
- Several beheading murders prompts Kolchak to consult the curator of a museum exhibit on the Reign of Terror. While the curator talks to Kolchak, he fights with his assistant as they set up a guillotine.
- Hoping to get at the college records of two dead students, Kolchak tries to con his way past the registrar with a lot of bureaucratic double-talk. Only she knows the bureaucracy backward and forwards and can’t be fooled easily.
In all these cases, the writers had to get information before the audience. By adding humor, they made what might have been dry dialogues into memorable exchanges that both moved the storyline and entertained.
What have you learned about fleshing out minor characters?