Mixing in History to Thicken the Plot

Author Anne Clare is back with a new novel, releasing Nov. 1, set during the WWII Italian campaign. So happy to have her guest blog, “Mixing in History to Thicken the Plot”. Take it away, Anne!

Thank you so much for inviting me to stop by, and for the opportunity to write on the theme of plot. It was good for me to take a step back and think about how I formulate mine! 

I write fiction set during World War II, and I find that my research tends to drive the formation of my stories. While a good plot is much more than a series of events, the true events from history often direct the paths my stories take. 

Perhaps the easiest way to describe this is to use my upcoming release’s plot as an example. 

I knew that I wanted to write a story set in WWII Italy. I also thought that I’d like to set it on or around the Allied beachhead on Anzio. For those of you unfamiliar with the Anzio campaign, in brief, the Allied advance up Italy had stalled, so Allied planners decided to send a force by sea up behind the German lines to land near the town of Anzio. The idea was that with the beach landings from behind and an assault from the main force in the south, the Allies would break through and march on to Rome. It didn’t work. The 70,000 or so troops and personnel who landed on Anzio were stuck on the beachhead from January until May, taking punishing German fire from the heights.

 I hadn’t really gotten beyond planning the setting when I came across an off-hand comment in one of my research sources. As the Germans and Allied lines were so close on the Anzio beachhead, it was not uncommon for soldiers on both sides to be taken prisoner, escape, and just walk back to their own lines. 

This caught my attention and imagination. What would this look like? Surely the escapes wouldn’t be quite as easy as these couple of sentences made them sound. 

Now I had a setting and the start of a plot—the story would deal with a POW escape. I’d most likely need to include a capture which might be a good place to put the story’s “hook.” Imprisonment and an escape with some obstacles would fit naturally during the “rising action.” I still had to decide how the climax of the story would look, and if the escape plans would be successful—but sharing more of that would include spoilers! 

Now, while my imagination took over, filling in the characters and details, I still needed to study the history to make sure that my fledgling plot would be plausible. (While my books are fictional, I try my utmost to make certain that the events could have happened.) A couple of other real events were major influences on my writing.

In mid-February, about a month into the Anzio campaign, the Germans launched a major offensive which cut deeply into the Allied beachhead and threatened to push them back into the sea. The offensive lasted for almost a week. It occurred to me that this would be a prime time for taking prisoners. And what if, with the offensive keeping the German man-power busy, some of the prisoners couldn’t be transported further back to POW camps immediately but were temporarily held closer to their lines. That could work…

Another piece of the plot fell into place. 

Characters also influence the plot, and history provides a wide and varied selection of fascinating characters. Some of the names associated with the Anzio area that might be familiar are Audie Murphy, (the most highly decorated American soldier of WWII) cartoonist Bill Mauldin, and the Tuskegee Airmen.  

Not all of the people serving on Anzio were involved in combat. Generally, the chain of evacuation for wounded soldiers was quite long with the field hospitals far behind the front line. On Anzio, the beachhead was so narrow that the front line was only about ten miles from the sea. Huddled together by the coast at Nettuno, just south of Anzio, the hospital area was well within German firing range. Unfortunately, although the hospital tents were marked with large red crosses in white circles and off-limits to attack according to the Geneva Convention, the area was hit often and badly to earn the nickname “Hell’s Half Acre.” Six nurses and many other medical staff and recovering patients lost their lives there. While their names might not be as familiar as some, their service and sacrifice must be remembered. 

While I do not include real people in my fiction except in off-hand references, learning about the real people who served and sacrificed in these areas helped direct my story and enrich my characters. 

For a final example of history influencing plot, one—somewhat lighter—story about the nurses’ experiences caught my eye as I was reading Rosemary Neidel-Greenlee and Evelyn M. Monohan’s fantastic book, And If I Perish: Frontline U.S. Army Nurses in World War II. (On a side note, I’d highly recommend this book to people interested in this era. The stories of the courage of the women who served in often appalling conditions are inspiring.)

The anecdote went something like this: When some of the first nurses landed on the beachhead, they were to be transported to their hospital area to set up. However, their driver must have gotten turned around and the further he went, the more anxious he became, especially as German shells began falling. Finally, he stopped the vehicle, told the nurses to get out, and drove away, promising that someone would come for them. 

The nurses took shelter in a small chicken house, and eventually saw men crawling toward them from two directions. Recognizing them as British and American soldiers, they approached. The soldiers were astonished to see the women and informed them, “We’re the front line, and you’re in front of us. That puts you in no-man’s land.” (Page 252.) 

Eventually, the nurses did make it to their hospital. I’m not sure what happened to the driver. And the incident solidified some ideas I’d already had for where my work of fiction might go. 

Writers, what real things influence your stories and their plots? Incidents from history? Things that happened in your own lives? 

Readers, do you enjoy reading stories with plots based in real events? Are there eras or places that you find particularly compelling? 

Again, many thanks to JPC Allen for hosting me today, and to you for stopping by! 

Thank you for explaining how you use mixing in history to thicken the plot. Best wishes with your latest release!

If you’d like to read Anne’s previous guest blogs, click here.


Wonderful cover!

When she had signed up, she’d thought she was ready. Ready for a combat zone. Ready to prove that she could be brave. The sick feeling in the pit of her stomach, stronger and longer lasting than any bout of seasickness, foreboded that maybe she had been wrong.


Lieutenant Jean Hoff of the U.S. Army Nurse Corps and infantryman Corporal George Novak have never met, but they have three things in common.

They are both driven by a past they’d rather leave behind.

They have both been sent to the embattled beachhead of Anzio, Italy.

And when they both wind up on the wrong side of the German lines, they must choose whether to resign themselves to captivity or risk a dangerous escape.

Where Shall I Flee? follows their journey through the dangers of World War II Italy, where faith vies with fear and forgiveness may be necessary for survival.

Anne Clare is a native of Minnesota’s cornfields and dairy country. She graduated with a BS in Education in 2005 and set out to teach in the gorgeous green Pacific Northwest, where she and her husband still live. She also serves as a church musician, singing in and occasionally directing choirs, playing piano, organ, and coronet (the last only occasionally, when she forgets how bad she is at it.) After the birth of her second child, she became a stay-at-home mom, and after the birth of the third she became reconciled to the fact that her house would never be clean again, which allowed her to find time to pursue her passion for history and writing while the little people napped. Although she’s back to teaching part-time, she continues to write historical fiction and to blog about WWII history, writing, and other odds and ends at thenaptimeauthor.wordpress.com. You can also follow her on her FB page.

Author Interview with Laurie Lucking

So glad to post this author interview with Laurie Lucking! Laurie is returning to JPC Allen Writes to talk about her latest novel and the reasons she writes YA fantasy.

Why do you choose to write speculative fiction for young adults, rather than adults?

My flippant answer is because that’s still what I prefer to read, even as an adult! The exciting, moving journey of finding your place in the world, the vivid emotions of leaving the familiarity of home to strike out toward something new, the joys and pains of falling in love for the first time… *happy sigh* 🙂 But on a deeper level, the books I experienced as a young adult had the most profound impact on my life, during a time when I needed that escape and could curl up with a good book for hours on end (now my kids always manage to find me…). Losing myself in a story with a main character I could relate to, a fun adventure, and an uplifting, hopeful ending, helped me forget all the pressures and insecurities of my day-to-day life. I pray my books can provide that kind of safe haven for readers who need an enjoyable break complete with loveable characters and an inspiring message.

What do you think are the keys to creating engaging main characters for young adult readers?

I’ve found that young adult readers seem to really engage with a character when they get to deeply experience that character’s perspective throughout the book. Rather than telling a story or giving limited glances into a character’s mind, narratives that allow the reader to live through the action right alongside the main character – practically feeling like they could be that character – are the ones teens just can’t put down. And I’m right there on the edge of my seat with them!

I still have a long way to go toward writing that kind of immersive point of view, but I think a huge key is having an understanding of the human mind and heart and translating it onto the page. Balancing beautiful prose with the way people actually think. Including internal responses in the midst of actions and dialogue. Taking the time to think through what sensory details your specific character would notice in place of generic descriptions. It’s a long, work-intensive process, but it’s amazing how that in-depth experience really draws readers in!

What is your greatest challenge when writing for young adults? What is your greatest joy?

I often find it challenging to let my characters make mistakes and suffer the ramifications rather than jumping in to prevent or fix them. In some ways, I think I view my characters like my own children and feel the need to protect and nurture them. But of course no one can avoid learning the hard way every time, and going too easy on my characters would never make for an interesting story or powerful journey!

My greatest joy is hearing from a teen (or more often her parents) that she’s read my books over and over again. That’s exactly how I enjoyed experiencing my favorite stories as a young adult, and it means so much to know that my words have impacted others in the same way. One of my readers even dressed as the main character from Common for Halloween last year! Talk about making an author’s day 🙂

That’s a major compliment. What a wonderful tribute!

What are some of your favorite young adult speculative fiction stories?

How much time do you have? *cracks knuckles* Ha, there are just so many, but I’ll try to contain myself! 🙂 I absolutely devoured Katie Clark’s dystopian Enslaved series, and her Rejected Princess series is also fantastic – the clean romance in her books is just so sweet, and her stories have so much intrigue! V. Romas Burton’s Heartmender series has been a recent favorite, with memorable characters and powerful allegorical themes. J.M. Hackman and Laura L. Zimmerman both create such vivid fantasy worlds to explore alongside strong, snarky heroines who experience so much turmoil and growth. And Carrie Anne Noble writes some of the most gorgeous prose I’ve ever read, with imaginative, unpredictable plot twists and deep insights into the human heart. I’ll stop there, but I’ve reviewed and featured lots of my favorite clean fantasy books (many in the young adult category) over at www.landsuncharted.com if you’re looking for more recommendations!

What story are you working on now?

I’ll admit my writing time and creative energy have been pretty limited over the past year between homeschooling my kiddos and all the uncertainty in the outside world, but when I get opportunities I’m working on Book 3 in my Tales of the Mystics series! Tentatively titled Scarred, this story centers around Prince Dominick (Princess Penelope’s spoiled little brother from Traitor) as he humiliates a peasant girl because of the scarring on her face, then has to rely on her help when he’s later cursed and on the run. I’m having a lot of fun with this twist on the classic Beauty and the Beast fairy tale and can’t wait to bring all the scenes I’ve written together into a coherent story!

Thank you so much for hosting me today! 

You are so welcome! And best wishes as you complete Scarred. I always like twists on familiar stories.


Tales of the Mystics


Only one person knows of the plot against the royal family and cares enough to try to stop it—the servant girl they banished.

Leah spends her days scrubbing floors, polishing silver, and meekly curtsying to nobility. Nothing distinguishes her from the other commoners serving at the palace, except her red hair.

And her secret friendship with Rafe, the Crown Prince of Imperia.

But Leah’s safe, ordinary world begins to splinter. Rafe’s parents announce his betrothal to a foreign princess, and she unearths a plot to overthrow the royal family. When she reports it without proof, her life shatters completely when the queen banishes her for treason.

Harbored by an unusual group of nuns, Leah must secure Rafe’s safety before it’s too late. But her quest reveals a villain far more sinister than an ambitious nobleman with his eye on the throne.

Can a common maidservant summon the courage to fight for her dearest friend?

Buy at Amazon, Barnes & Noble, iBooks, Kobo, and Goodreads.


Princess Penelope has finally found a way to redeem her past mistakes-if only it didn’t require betraying her new fiancé.

Princess Penelope has been the object of gossip and ridicule ever since she returned home in disgrace following her failed engagement to the Crown Prince of Imperia. When her father offers a new start in a country far across the sea, she has no choice but to accept.

Even if it means another betrothal, this time to a total stranger.

Penelope arrives in Delunia determined to avoid bringing further shame upon her family. But her devoted, caring fiancé makes it harder to guard her heart than she anticipated, and rumors of dark magic haunt her with memories she’d rather keep buried far beneath her pristine exterior.

When a poverty-stricken village outside the palace gates looks to her as their hope for a brighter future, Penelope embraces the opportunity to make amends for her transgressions. But in order to help, she must manipulate her new fiancé, putting her reputation on the line once more. And her heart.

Can Penelope rise above the failures of her past, or will she forever be branded a traitor?

Buy at Amazon, Barnes & Noble, iBooks, Kobo, and Goodreads.


Laurie Lucking loves books, music, and spending time with her family. A recovering attorney, she now spends her days chasing her active one-year-old, struggling through her sons’ math homework, and writing young adult romantic fantasy (plus a little cooking and cleaning when absolutely necessary). She and her husband make their home in beautiful Minnesota. Laurie’s debut novel, Common, won the Christian Editor Connection’s Excellence in Editing Award and was a finalist in the ACFW Carol Awards, and her short stories have been published in Brio Magazine, Deep Magic Ezine, and a number of anthologies. Find out more at www.laurielucking.com. You can also follow her at her blog Lands Uncharted, newsletter, reader group, Facebook, Instagram, Bookbub, Amazon, and Goodreads.

Author Interview with Philip Rivera

To celebrate National Humor Month, I have an author interview with Philip Rivera. We met through an Instagram loop and I’ve read early drafts of some of his hilarious humor stories about life in the suburbs. Raising my kids in the country, I’ve found his stories eye-opening to a world that is both very different and exactly the same as mine. No matter the setting, but parenting is parenting. Welcome, Philip!

What inspired your book Suburban Luchador: The Cul de Sac Chronicles?

Lots of idle time pushing my lawnmower back and forth across my lawn like a mindless, suburban drone. This combined with other quotidian activities like taking out the trash, taxiing the kids in my minivan, and co-managing a household of four kids. I was kinda like Belle, from Beauty and the Beast, fluttering from one domestic duty to the other, wondering if there was more to this suburban life. Instead of bursting out into song about this existential search (which would have alarmed my neighbors), however, I wrote about the ‘more’ that exists in suburban life, or at least the ‘more’ I imagined. 

Your stories cover many different situations in family life. What do you think is key to taking real-life events and turning them into humorous stories?

Most real-life events have a story nugget buried deep within them. As authors, our job is to mine it out and polish it off with a little creative license and over-the-top imagination. For example, one of my stories was inspired by the everyday act of bathing my two kids in the bathtub. My daughter was one year old and my son was three. She was in the process of potty training. He enjoyed imagining his rhino-man action figure was a deep-sea diver who defused missiles. Add some fatherly creativity and the story almost wrote itself. 

Which story was the easiest to write?

The previously mentioned story, Rhino vs La Caca, had so much built-in humor and gag-worthy potty mishaps, it just needed a story flow added to it. 

Which was the hardest? 

I’m currently working on the sequel to my first book, and I’m trying to expand my creative abilities. One story I’m writing is not based on a specific life situation, but more on the universal parenting experience of keeping a stirring baby asleep before it erupts into screams. I’m portraying the scenario as if I was a SWAT team bomb defuser entering a booby-trapped apartment. It’s a fun setup, but getting the details and tension just right has been challenging. 

Who are some of your favorite humor writers?

Jack Handy, Dave Barry, and Jenny Lawson (although I could do without the profanity). 

One of my favorite humorous stories was written by Dave Barry about how he, his wife, and infant daughter were pulled out of the line by security at an airport for a more intensive inspection. As he said, what terrorists brings their baby with all her gear to the site of a planned attack?

What advice would you give a writer who wants to write humorous stories?

Humor is everywhere! It’s the sudden twist that our brain wasn’t expecting. Start practicing by looking for it in your everyday life. Keep a notepad with you (just don’t write it down in front of your spouse if they are the subject. Not that I’ve ever done that.) Identify the main character in your scene and what his/her conflict is. Then identify the unexpected twist. Take the real-life ingredients and stretch them out into a humorous or awkward scenario. For example, a man at the self-checkout line keeps getting the “unidentified item in bagging area” alert. A clerk comes up to reset the protesting machine multiple times. Stretched out: the automated register accuses him of passing off a bag of dog food as a box of tic tacs and calls in the SWAT team, who bursts through the ceiling and apprehends the unwitting criminal. Just another day at the grocery store.  

What a great way to look at a situation that would probably have me grinding my teeth at the check-out computer.

For another interview with an author who knows how to write humor, check out this post with Jen Turano.


His minivan is his chariot. His mower is his weapon. Enter the whimsical world of suburbia’s favorite underdog.

Meet the average Joe who’s a father to three, a husband to one… a hero to all. When he’s not fighting crime in his fighter-jet-cloaked-as-a-minivan, he teaches high school and patrols the ‘hood for story material.

In Suburban Luchador: The Cul-de-sac Chronicles, an ordinary guy conjures up extraordinary tales about his family, marriage, and teacher job. He’s the man who’s making mortgages, meatloaf, and the middle-class sexy again.

This is the anthem of those who envision mowing and mopping as legendary movie scenes. These comically self-deprecating short stories will inspire you to take a fresh look at the wondrous, valiant and touching moments in everyday life.

Dive into Suburban Luchador: The Cul-de-sac Chronicles and ride shotgun on a domestic road trip of epic proportions.


Award-winning author and family man, Philip Rivera, is out to dominate suburbia, one lawn at a time. Besides moonlighting as a humor author, he doubles as a high school teacher, diaper changer, princess ballerina ballet judge, and ninja fighter. His stories prove that minivans, child-rearing, husbandly duties, and teaching high school can be the subjects of epic adventures. His book, Suburban Luchador: The Cul-de-sac Chronicles, is a collection of humorous slice-of-life stories loosely based on his average Joe misadventures. Philip’s stories highlight the magic found in mundane life… if only we let our imaginations get carried away. 

Follow his relatable and comical suburban struggle on Instagram @philipdrivera. Get free short stories by signing up for his author updates at philipdrivera.com.

Writing Tips from Poet Lori Z. Scott

Always happy to introduce you to an author new to JPC Allen Writes. I met author and poet Lori Z. Scott on Instagram and have enjoyed her poetry so much that I asked her to guest blog for National Poetry Month. Welcome, Lori!

People write poetry for many reasons. To express pain, sorrow, or joy. To entertain, convict, or explore. To say hello, goodbye, or I love you. It’s often a go-to media because poetry is a flexible art form, with many different forms a writer can explore to craft a good poem. Popular ones include acrostic, haiku, limerick, concrete, tanka, ode, and rhyming verse. 

Poetry can also be a rigid and complex art form. Rules that govern poetry range from the strict guidelines of a sonnet to free verse, which follows no rules at all. In addition to that, poems employ a number of literary devices, including alliteration, assonance, internal or end rhyme, repetition, symbolism, meter, and more.

Still, anyone can write poetry. I succeeded mostly using two methods. The first is easy. The second will require some work. 

The easy tip: read a lot of poetry—out loud

I thrived on the simple but profound rhymes of Shel Silverstein, the silliness of Jack Prelutsky, the intricate and witty storytelling of Robert Service, the craziness of Lewis Carroll, and the down-to-earth sing-song messages of Edgar Guest. While I typically trip over my words in my regular speech, these gems roll off my tongue in a pleasing way. I believe the recitation of poems helped develop and hone my ear for poetry. Truth be told, I memorized a lot of them, and that influenced the creation of my own. Which is, coincidentally, one of the best ways to learn.

Some work required tip: brainstorming (a method developed by Alex Osborn.) 

The idea behind brainstorming is to generate a lot of ideas. The more you compile, the better chance you have of hitting gold. To brainstorm, first consider the topic you want to write about. Usually this is a single word or a theme. Then list as many spontaneous ideas as possible related to it. Then categorize the words. Group together words that rhyme, words with alliteration or assonance, and so on. If new ideas occur, add those to the list. Then build the poem. Once written, check each line for the syllable count (unless it’s free verse) and then read it out loud to hear where the accents, or beats, fall. If they don’t work, you will stumble over them. If they do, they’ll roll in a fluid manner. 

(A while back, I wrote an article for Story Embers about developing creativity through brainstorming. You can visit for more details. https://storyembers.org/5-classroom-techniques-writers-can-adopt-to-improve-creativity/

I used this method to write the poem WINTER. Notice how the rhymes, word choice, and use of alliteration work together to create the feeling of a pleasant winter day instead of a bitterly cold one.


Soft is the blanket of snow on the ground.

Gentle the breeze in the air.

Tender branches all bundled in ice.

Covered with comforting care.

Simple the silence embracing the Earth.

Restful the rise of the hill.

Beauty the sun as it kisses the sky

Tasting its peppermint chill.

Sometimes I write poetry with strict rules because my brain enjoys the challenge. Recently, I tried a Shakespearean sonnet, which often have a rhyme scheme of ABAB CDCD EFEF GG—three quatrains (four lines grouped together) and a couplet (2 rhyming lines). Poets must write one iamb (one unstressed syllable and one stressed syllable) in each segment until there are 10 syllables in iambic pentameter.

I soon learned this was no easy task… so I had fun with it, writing a sonnet about the fact that I couldn’t write a sonnet.

I think I have but fourteen lines to write.

And yet I find it difficult to do.

A sonnet has restricting rules that bite.

And trip the one who pens without a clue.

Alas, I fear the structure of this form.

Will push my puny brain to exercise

More thinking than I care to be the norm

And serve as one more step to my demise.

Iambic beat cannot be broken or bent.

I wish, dear friend, that fact was not so true.

So, though I voice my simple discontent,

I cannot find the words to see it through.

Dear Sonnet, I must put my pen away.

My ode to you cannot be done today.

I know exactly what you mean. I thought I was decent at short form poetry until I tried limericks. For more about how limericks defeated me, click here.

Thank you so much for sharing your tips, Lori. Now I know how you craft such fun poems!


Elementary school teacher Lori Z. Scott usually writes fiction because, like an atom, she makes up everything. Her down time is filled with two quirky habits: chronic doodling and inventing lames jokes. Neither one impresses her principal (or friends/parents/casual strangers), but they do help inspire her writing. Somehow, her odd musings led her to accidentally write the 10-book bestselling Meghan Rose chapter book series and on purpose write over 150 short stories, articles, essays, poems, and devotions. Follow her on Instagram @Lori Z. Scott and read more of her great poems #lorizscottpoems.

Author interview with Theresa Van Meter

Always exciting to introduce to you a new author! In 2017, I met Theresa at a Serious Writer conference in Ohio. We’ve corresponded since then, and when I wanted to feature someone who writes short stories, I knew an author interview with Theresa Van Meter would be the perfect fit. Welcome, Theresa!

You are a sweet romance author. What makes a story a sweet romance?

For me a sweet romance story is filled with romance, and no sex.

Why do you write sweet romance stories?

I took my writing seriously in the ’90s with a goal toward publication, and I needed to focus on a niche. The possibilities were as wide open as an eight-lane highway. I could write anything. Despite my freedom, I couldn’t imagine, writing a scene that I’d be embarrased for my grandma to read. However, I knew that there was money in writing titillating stories and writing sweet could reduce my chances of publication. I wrestled with my decision and I even considered using a pen name. But, in the end I chose sweet.

After my grandma died, I no longer needed to worry about her reading a racy scene that I could write. However, I am a Christian now, and my road is narrow, so I still write sweet.

What a wonderful story! I understand the desire to write something your grandparents would be pleased to read.

What was the inspiration for your romantic short story, “Buried Treasure”?

Inspiration came to me when I saw a photograph in the local newspaper. It was a photo of children taking part in the annual treasure hunt at Lake Alma. There was a story there, but I needed to find my character’s names. Once I have the names, ideas flow for me.

I use an old phone book to choose their names. I have a routine that I use, so that the names I choose are random. The names chosen for this story were David and Della.

Those names sparked the idea for my fictional story. On a personal level, David is the name of my first love that I lost at the ripe old age of five. So, I wondered what might happen if my characters lost their first loves. Words flowed, and after days of rewriting and editing, the result was “Buried Treasure.”

I love choosing names for characters! Sometimes, if a character isn’t working well, I figure out I need a better name.

Why do you enjoy writing short stories? 

The simple answer is, it’s fun. But fun isn’t the only reason I enjoy writing short. I am a pantser. I don’t have a plan for how my story will start or end. In my opinion, it is easier to write short without an outline. I know it’s difficult to write a novel without an outline. I have a manuscript written by the seat of my pants and it is an editing mess. It may never be published.

By writing short, I can write many stories. I can enter my character’s lives and enjoy their story. Then savor the ending and move on to the next story. For me, it takes much less time to write a short story compared to a novel.

What are some of your favorite short stories?

This is a hard question for me to answer. I love to read. But the lack of free time limits my reading. However, one of my writing goals for 2021 is to have a short story published in The People’s Friend. I need to read that magazine again. The editors fill it with lots of well-written stories. Hmm, that gives me an idea for my website. I may create a list of my latest favorite stories from The People’s Friend.

It’s a hard questions for me, too, because there are so many I love different kinds of short stories. Click here for a list of some of my favorites.



By My Side brings you twenty of the best romantic stories from writers around the world.
Be transported to the past in the war-torn “Three Months of Summer” and back to the present in the gentle modern everyday situation of “The Pool Doctor.” Feel your heart racing through the ethical dilemmas in “Would You Shoot Me?” and the danger and drama of “Run From the Sun”. These stories will transport you to a world of love and romance and leave you breathless. In far-away locations or in everyday situations, there really is someone for everyone.


Theresa Van Meter comes from a long line of storytellers and loves to spin tales of sweet romance. She has published her short stories online, and in magazines and her short story, “Buried Treasure”, is in the romantic anthology, By My Side. On her website, she enjoys interviewing authors about short stories. When she isn’t writing, she sells jewelry online, enjoys exercising, and playing board games with her family. Find more at Facebook or on her website

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