Creating an antagonist for your novel is as important as creating the protagonist or main character. Would Sherlock Holmes have achieved literary immortality if Sir Arthur Conan Doyle hadn’t created the perfect nemesis in Professor Moriarty, the Napoleon of Crime? Below are three tips for creating an antagonist for your novel.
An antagonist does not have to be a villain.
Yes, you read that right. An antagonist is someone or something that prevents your protagonist for achieving the goal she is working toward in your novel. Let’s say your protagonist is a high school senior who wants to become a cop like her late father. Her mother is dead set against it because her father was killed in the line of duty. So Mom is the antagonist of the daughter without being a villain.
An antagonist does not have to be human.
If your novel is a story about how a family tries to survive on a mountainside when caught in a freak snowstorm while hiking, then nature itself is the antagonist. In a scene from Twenty Thousand Leagues Under the Sea, Captain Nemo and his crew from The Nautilus battle giant squids. In that scene the squids are the antagonists. If your protagonist is battling the oppression or corruption of a political system, then the characters advancing that system are the antagonists but the specific political system itself can be one too. That leads me to my next point …
Your novel can have more than one antagonist.
This concept is often used in mystery novels. A murder has taken place, so the antagonist is the murderer. But he may have a friend who is shielding him from the police. So you have a second antagonist.
My next example is a spoiler, but it’s from a very old novel, so I don’t mind divulging it.
In the novel, Too Many Women from the Nero Wolfe mystery series, a wealthy man commits two murders. He wants to prevent Nero Wolfe and his whip-smart assistant Archie Goodwin from catching him. Standard mystery antagonist. What makes this novel different is that the man’s wife is pretty sure she knows what he’s doing but says nothing because it would interfere with her luxurious lifestyle. To protect herself even further, she manipulates her husband into committing suicide. She’s antagonist #2 and I find her far more repellant than her obsessed husband.
Next week, we’ll dig deeper into creating an antagonist, just like we did when creating the protagonist.
Who are the antagonists that stand out in your experience?