A Threat at the Feast Available for Pre-order!

So excited to announce that my Thanksgiving mystery, A Threat at the Feast, is available for pre-order! This is the fourth mystery in my Rae Riley Mysteries series. To get my thank-you gift for pre-ordering, go to this landing page and fill out the form.

Here’s the blurb and the first pages of Chapter 1.

When the estranged grandfather of her sort-of boyfriend Deputy Chris Kincaid is found murdered at the library where she works, amateur sleuth Rae Riley and her dad Sheriff Walter “Mal” Malinowski race to catch the killer by Thanksgiving before Chris is prosecuted for first degree murder.

*****

One step outside the door of Cervelli’s Deli, and they were on me.

“Miss Riley, does your father often use you in his investigations?”


“Rae, how important was it to you to help your dad?


“Rae, what did Ariella Sharpe say to you when you met with her?”


The reporters thrust phones and cameras and mikes into my face, pressing me back into the closed door of the deli. I clutched the sack with Dad’s and my lunch against my chest. If I’d known they were waiting for me, I would have asked Mr. Cervelli if I could go out by the alley.


Setting my jaw, I straightened to my full 5’11”, which allowed me to see over most of the incoming tide of reporters. That view made them seem less overwhelming. But just as obnoxious.


Remembering what Dad had said about earlier cases I’d been involved in, I said, “The investigation is ongoing.” I projected my voice as best I could over the assault of questions. “I can’t comment.”

“Pushing off the door, I headed down Main Street toward Dad’s office. The noon sun warmed the November day, making it feel more like September than two weeks before Thanksgiving. The orange leaves of the almost bare maple trees lining the street looked like sparks against the clear blue sky. But I couldn’t slow down and enjoy the balmy day with reporters moving with me like a dozen extra shadows.


Marlin County, Ohio, had definitely gained its fifteen minutes of fame. Unfortunately, my family was caught in the spotlight. The case on Halloween had been weird enough to snag national attention. And then two days ago, Dad had made an arrest in the Sharpe case. Since it involved a New York novelist and his supermodel wife, even more reporters and influencers had shown up.​


“Miss Riley, you’re not a cop. Why can’t you comment?”


“Rae, did your father order you not to talk to reporters?”


Shoot fires. The light at the corner of Main and Sugar was red. I’d have to wait.


Avoiding eye contact, I stared over most of their heads to the door of the old, dingy white building that housed the sheriff’s department.


“How accurate is the report that you’re the brains behind your father’s success in solving his recent, high-profile cases?”


“What?” I gawked at the reporter who’d asked the question.


She was thin, middle-aged, average height, with her silvery gray hair cut short except for her bangs that slanted across her forehead. “You’ve been instrumental in your father’s cases, haven’t you?”


“I—uh


“Is it true you didn’t know Sheriff Malinowski was your father until last year?”


My eyes threatened to leave their sockets. How did she know that? Dad and I discovering each other last Christmas was no secret in the county. But how had this stranger found out these details? And why bother?


The rest of the reporters joined in.


“Is that true, Miss Riley?”


“How did you find out Sheriff Malinowski is your father?”


They pressed against my arms, my back, and the light had cycled through green and was red again.
”

“She won’t talk to you.” The bellow came from across the street, whipping the crowd in its direction.


Dad’s powerful, 6’6″ frame filled the front door of the sheriff’s office, looking like Thor had given up Asgard to become a sheriff in rural Ohio.


The light turned green.


I catapulted onto the crosswalk, jostling several reporters, and ran to Dad, my camera backpack bouncing against my jean jacket.


The reporters charged after me.”

*****

Visit this page to learn more about Rae, her dad Mal, her family and friends and enemies of Marlin County Ohio.

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JPC Allen Writes

Welcome to my writing pages!  The main focus of this website is to offer writing tips, prompts, and inspiration to writers, no matter what their genre or skill level. You’ll also find information on my published works and the ones in progress. My schedule for posting is:

Monday Sparks: Writing prompts to fan your creative flame.

Thursdays – Writing tips based on a monthly theme

You can sign up for my newsletter in the sidebar. You will also find me on Amazon, Facebook, Instagram, Goodreads, Bookbub, and at my publisher’s site, Mt. Zion Ridge Press.

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What Clue is Hidden in this Antique Typewriter?

It’s mystery month here at JPC Allen Writes, so my Monday Spark writing prompts are chosen to inspire not only your writing side, but your inner sleuth. What clue is hidden in this antique typewriter that can be plot points in a mystery?

Here’s my inspiration: A stay-at-home mom with three kids buys the typewriter at a garage sale for almost nothing. Her hobby, when she can find the time, is restoring antique machines. While working on the typewriter, she finds a scarp of paper jammed in a corner. It’s very brittle, As she unrolls it, the paper breaks, but she can still piece it together and the faded typed words are still legible. The note reads: “Anson Mayhew killed me.”

Your turn. What clue is hidden in this antique typewriter?

Here are more writing prompts for mysteries.

Book Rec: The Murder of Roger Ackroyd

Every October, it’s mystery month on JPC Allen Writes. If you love classic mysteries, I have a book rec: The Murder of Roger Ackroyd by Agatha Christie. This novel came early in her career, published only six years after her first novel. But this is the novel that proved Mrs. Christie was the Queen of Crime with a solution so controversial and original that it made many critics cry, “Foul!”. Today, it’s recognized for the brilliant twist that it is.

The novel is narrated by Dr. James Sheppard, a country doctor in the tiny English town of KIng’s Abbott. Not much happens in the town, and Dr. Sheppard was wry attitude toward the main hobby of most of the town’s residents, including his sister: gossip.

The town is shocked when a local wealthy woman, Mrs. Ferrars, is found dead, apparently a suicide. In the year since her husband’s death, she’d been seeing Roger Ackroyd, a rich businessman with a home in the area, and everyone in town expected them to soon announce their engagement. When Dr. Sheppard meets Ackroyd in town, he can see how hard the news of Mrs. Ferrars’s death has hit him. Ackroyd says he needs to speak to the doctor and invites him to dinner that night at his mansion, Fernly Park.

At the dinner, readers meet the rest of Ackroyd’s household: his sister-in-law, her daughter, his secretary, housekeeper, and butler, and a houseguest who is a big game hunter. After the meal, Ackroyd takes Sheppard into his study and tells him he knows why Mrs. Ferrars took her life. She had poisoned her abusive husband last year and someone had been blackmailing her because of it. She hadn’t given Ackroyd the name when she’d confessed to him, but now Ackroyd has just received a letter from her, which he hadn’t opened yet. He tells Sheppard he’ll read it when he’s alone.

Dr. Sheppard leaves the house, only to receive a call at home from the butler, saying Roger Ackroyd has been murdered. He races back to Fernly Park, but when the butler answers the door, he says he made no such call. Ackroyd is still in his study. Dr. Sheppard wants to make sure Ackroyd is all right. When his knocks and calls provoke no response, they break in the door and find Roger Ackroyd stabbed to death.

Although the police are called in, Ackroyd’s niece hires Sheppard’s new neighbor to look into the case: retired detective Hercule Poirot. Poirot usually worked with his friend Hastings when he solved cases, but Hastings now lives in Argentina. So Sheppard falls into the role of Watson to Poirot’s Sherlock Holmes, recording the progress of the case and providing Poirot with information only a local would have.

The murderer weaved an intricate crime, but not a perfect one. Poirot works his way through the tangle with a solution no one saw coming when the novel was published in 1926. Each time I read it, I marvel at how Mrs. Christie writes a fair-play mystery, with all the clues available to readers, and still yanks the rug out from under us.

If you love classic mysteries, which novels are your favorites?

Here are more of my recommendations of mystery books.

What Genre Would You Place This Scene In?

What genre would you place this scene in? The young woman in the black coat looks afraid, and the backpack on the ground makes me think of a clandestine exchange taking place, so thriller or crime drama is the genre that leaps to my mind. But I’m encouraging you to think outside the box.

When I take a closer look, the man is carrying a backpack that looks feminine. The one on the ground looks more like one a man would carry. And during this confrontation, the woman in the white coat decides to light up. I think there’s possibilities for comedy here.

Let me know what genre you would place this scene in?

Here are more photo prompts for writing scenes.

How to End a Scene and Keep Readers Turning Pages

Knowing when and how to end a scene takes a lot of practice for writers. Even though I’m working on my fifth book, sometimes, I forget to end a scene in the first draft and just keep writing and writing. When I review my work, I realize I need to make transitions. Even when I realize a scene needs an ending, it sometimes difficult to write it. Like I’m composing a tune and the last note sounds off. Here are tips on how to end a scene and keep readers turning pages.

Put tension in the last line of a scene.

This end to a scene is pretty obvious, ending with some kind of cliffhanger. Here’s a scene from Chapter 2 in my third novel A Riddle in the Lonesome October. My protagonist, Rae Riley, who’s twenty, is eating a late supper with her dad. They’re chatting at the dinner table in the family farmhouse. The landline rings, and Rae’s grandmother answers it.

*****

“That was Jeanine.” Gram placed the landline in its base, concern creasing her normal expression of quiet assurance. “Something’s wrong. Coral’s horse came back to their house without her.” 

*****

But you can’t, and shouldn’t, end each scene with the promise of dire circumstances.

Give readers something to think about.

Because I write mysteries, ending a scene with the thought process of my amateur sleuth Rae not only shows readers how Rae is considering the evidence, it gives them time to think about it too.

In A Shadow on the Snow, my first novel, Rae is trying to figure out on her own who is leaving increasingly threatening notes. In this scene, she’s organized the information she’s gathered so far.

*****

The stalker was someone who could have been out in the woods late on Wednesday morning and had an opportunity to leave the note between 8:30 a.m. Friday when I left for work and about 1:30 this morning. 

After jotting those conclusions in my notebook, I searched social media for any nasty comments about Mal or me. Then I reviewed my previous research. It wasn’t until dawn lit the sky that I finally collapsed on my couch. 

*****

The first paragraph gives readers something to think about. The second shows how committed Rae is to her investigation. And the toll it’s taking.

Asking questions in the mind of the protagonist is a great way to get people to think. The end of this scene is from A Storm of Doubts, and Rae is pondering the latest development in a missing persons case.

*****

Once out of the neighborhood, I hurried into a jog. Why had the Chief conducted the search? And did finding nothing make The Mystery of the Missing Ex-wife clearer or murkier? 

*****

Hint at what’s to come in the novel.

This kind of end to a scene makes a promise to readers and gives them something to look forward to as they read on. At the end of Chapter 4 in A Storm of Doubts, Rae’s father Mal is explaining to her younger half-brothers that while the family is attending a Memorial Day picnic, they have to stay with an adult because Mal just learned his con man uncle, who hates him, is in town.

*****

Stroking his cheek with one finger, Micah said, “What about if I have to go to the bathroom?” 

“Get Hank,” Dad called over his shoulder. 

“What if I can’t find him?” 

“Ma can stand outside the door.” 

“What if Uncle Troy comes into the bathroom?” 

“Ma!” Dad sent out an SOS. 

Gram put her arm around Micah. “We’ll be able to find Hank if we need him.” She took hold of his hand. “The fire department’s picnic is at the school, so let’s—” 

She looked up to the hill, and we all followed her gaze. 

Uncle Troy and China watched us a moment, then turned and disappeared among the evergreen bushes and headstones. 

*****

Here are more tips on writing scenes for novels.

Of the three examples for how to end a scene, which one do think is best at keeping readers turning pages?

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