Who Are These Characters?

I think it’s hard for adults to write from a child’s perspective. But that’s the challenge of today’s prompt. Who are these characters? My point of view character is the little boy.

“Give me big smiles.”

Sarah is really nice. Just as nice as Daddy said she was. I grin big as me and Tina sit on the front steps. But Tina doesn’t smile.

“Sarah said to give her big smiles,” I tell her.

Tina doesn’t listen. She just keeps staring at Daddy’s girlfriend. Tina isn’t friendly. I don’t know why.

Sarah puts down her camera and searches for something in her backpack. “I left my best lens in my car. Tina, here are my car keys. Would you get it for me? It’s in another backpack that looks almost like this one. “

Tina doesn’t move. She just stares. Then she turns around and runs into our house.

Sarah makes a funny noise and looks like she’s gonna cry.

I jump off the step and pat her hand. “Tina doesn’t like people. She likes cats, thought. She’d like you better if you were a cat.”

For more character prompts, click here.

Manage Minor Characters

Writers also double as casting directors. We ransack our imaginations and experiences for characters, hoping to match them to the perfect plot. We spend a huge amount of time shaping the main and major characters, creating backstories and constructing arcs for them (not arks, unless you’re writing Biblical stories). But minor characters are important too. I’ve found that’s true especially in cozy mysteries. One of the hallmarks of a cozy mystery is the enclosed community in which it takes place. It can be a small town, small business, or some kind of club, any group that consists of a limited amount of people. Adding colorful and fun minor characters spices the mystery and ensures that my setting feels real and isn’t just populated with a detective and suspects. To manage minor characters, I divide them into two categories: supporting and walk-on.

Supporting Characters

I classify characters as supporting ones if their function is to further the plot. In my YA mystery short story, “A Rose from the Ashes”, I needed to establish some backstory. I had my main character Rae discuss a mysterious fire and the disappearance of a woman with Barb, the director of the library in which Rae works. When I wanted to introduce a new character and didn’t have the word count or time to create a new scene, I made him Barb’s boyfriend. That gave him an excuse to come to the library and run into Rae. In both cases, Barb helped propel the plot.

Walk-On Characters

Walk-on characters don’t have to do more than help the reader feel like the story is operating in a real place. If I only write about Rae and Barb when I have a scene at the library, it gives the impression that they are the only employees, which would be atypical. I mention a few other employees by name as Rae works her shift to make the main branch of the Marlin County Library seem real. Since the library is located in a small town within a rural county, Rae knows most of the people who come into the library by name. I can write something as simple as, “I had to cut short my conversation with my cousin as Mrs. Zollars staggered up to the desk with her usual load of romance novels”, to give my novel the small-town atmosphere it needs.

Click here for a post on how to flesh out minor characters.

Readers, what stories have you read that had great minor characters? Writers, how do you manage minor characters?

Thumbnail Sketch for a Mythical Character

A thumbnail sketch for a mythical character presents so many possibilities. Is it a sentient being from a civilization? Or an animal? Does it live in our world or a fantasy world?

If the character is an animal, my sketch is:

Loyal, protective guardian

If the character is an intelligent being, my sketch is:

No-nonsense, determined ruler or soldier

What sketch can you come up with for this mythical character?

For more fantasy prompts, click here.

Creating Quirks for Characters

So much work goes into creating believable characters that writers sometimes forget to have fun with the process. One way I’ve discovered to keep from letting character development to become a chore is creating quirks for characters, fun traits that make my characters seem more likable or real or relatable. I believe one of the reasons for Sherlock Holmes enduring popularity is his quirkiness. Fans love that he keeps his tobacco in a slipper and his unread letters stabbed to the mantel with a knife. Those eccentricities make him seem more real because we all have habits that we like but can’t explain why we like them. If I can eventually work a quirk into a plot point, so much the better. Below are six ways to create quirks for characters.

Mannerisms

I’ve noticed that many time when I pray, I run one or both hands through my hair. Also, when I am losing patience but trying to hang onto a few manners, I smooth my eyebrows. Characters’ mannerisms can be connected to an activity or emotion and reveal or conceal thoughts and feelings. My main character Rae in A Shadow on the Snow tugs on her earlobe when she’s thinking.

Speech

Giving characters unique phrases helps their dialogue stand out. I use “Shoot” or “Shoot fires”, an exclamation I learned from my dad. I don’t know what “Shoot fires” means, but I still use it. My dad was raised in West Virginia, so I gave that phrase to Rae who grew up all over the South.

Hobbies

I try to choose hobbies that for my characters that I know well, I’m interested in, or can develop an interest in. I don’t like fishing, but my youngest loves it. Through this enthusiasm, I’ve learned a lot about fishing and find it easy to create a character who lives to fish.

Fears and Hates

Dislikes can be as telling as likes. The mystery series Monk was built around the main character’s phobias. Rae’s father is sheriff of their rural Ohio county. He’s an imposing man, 6’6”, and grew up on a farm. I thought it would be funny, and humanizing, if he had a fear of horses. It would be especially humorous since his sister and brother-in-law board horses and give lessons. It also gives his brother-in-law something to joke about.

Food

I may raise a few eyebrows by admitting I am a writer who prefers tea to coffee. I gave that preference to Rae. She will also eat pickles for any meal, including breakfast. Giving your character strong opinions on food is a fun way to add realism. The gourmet eating habits of the detective Nero Wolfe made up a large part of his character and sometimes major plot points.

Personal habits

Getting to know a character’s personal habits makes them seem like friends. Indiana Jones wears a fedora. Agatha Christie’s detective Hercule Poirot dresses immaculately and is vain about his magnificent mustache. A character’s deviation from her normal habits can kickstart a plot. Mystery stories often begin when someone notices a character break a habit for no apparent reason.

Be Aware

Creating quirks for characters are fun, but it comes with pitfalls. I shouldn’t overload my character with quirks, or repeats their quirks too often. They will stop being engaging and become irritating. Even more important, I can’t create a character that’s all quirks and no substance. Sherlock Holmes has held the fascination of fans for over a century because a deep personality supports the quirks. I’ve read stories where a character is nothing but a collection of cute habits. So he or she is not really character. No internal structure exist on which to hang all these quirks.

Who are some of your favorite quirky characters? What quirks have you given your characters?

What’s the Story Behind This Expression?

For the character prompt today, I’d love to hear your ideas for the story behind this expression.

I imagine that this man has worked hard his whole life. Maybe a fisherman or a farmer. He looks wary and suspicious. For many years, he’s carried a secret. He’s listening to a conversation and is worried that one of the people may stumble onto his secret. He’s uncertain what to do.

For more character prompts, click here.

Now it’s your turn. How does this photo inspire a character for you?

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