1 Day Until A Storm of Doubts Breaks!

Can’t believe it’s only 1 day until A Storm of Doubts breaks into the world! This book has been a long time a-coming, and at times, I thought it would break me. Throughout March, I’ll be letting you in on the process and inspiration that created Storm. Here’s a sneak peek of the start of the first chapter. My goal in the opening is to hook the reader’s attention with enough questions and tension that they feel compelled to keep reading.

Chapter 1 of A Storm of Doubts

“Just stop it!”

         The shout made me jerk and get poked by a dead branch of a honeysuckle bush.

         Wasn’t that a woman’s voice? Not a girl’s, not my cousin Coral’s.

         Swiveling on my hips, I sat higher and caught strands of my dark gold hair on the bush. The fox cubs or kits or whatevers I’d been photographing leaped and rolled over each other between muted beams of sunlight, undisturbed.

         Two voices, one higher, one lower, slipped through the budding understory shrubs and bushes .

         Who would be out in the woods on the morning of Memorial Day between my cousin’s farm and my dad’s? If we were still on family land. Coral knew exactly where we were, which was why I’d asked her to guide me after she told me about the fox babies. But Coral didn’t care much for civilization and nothing at all for ridiculous things like property boundaries.

         “Coral?” I called, long, white honeysuckle blossoms brushing my cheeks, their thick Easter-y scent clogging my nose.

         When had she left me? I couldn’t have been photographing foxes that long. Although she was the guide, she was only twelve, and I was just a day short of twenty. So it was my responsibility to return Coral home in pristine condition.

         The voices continued, but too quiet for me to catch any words, their murmur blending with the faint rustle of leaves in the morning breeze.

         So Coral might have met someone. But she knew not to talk to strangers.

         I collected my camera and the small tripod it sat on and eased myself backward through the thicket.

         Did not talking to strangers still apply if you met one in the middle of nowhere in the middle of a county as rural as Marlin County, Ohio?

         “Coral?” I ticked up the volume.

         “Leave me alone!” The woman’s voice again. She sounded desperate, not angry.

         “Did you call me, Rae?” Coral seemed to pop out of the morning air. She could move like a ghost in the woods.

         “I wondered where you were.” I closed my tripod. “Did you hear that yell? It sounds like somebody’s in trouble.”

         Removing her baseball hat with a galloping horse on the front, she wiped copper bangs from her sweaty forehead. “Naw. Just some rich chick and her boyfriend.”

         My cousin Amber had mentioned that high school kids used an abandoned bridge as a party site.

         “Did you talk to them?” I placed the camera inside my padded backpack.

         “Nope. I just heard voices and followed them to see what was going on.”

         The distant hum of conversation continued to glide through the cool morning air.

         “You stay here.” I tucked the tripod into a pouch on the outside of the backpack. “I’ll go see if the girl or the woman needs help.”

         “She looked more like a woman. But I said she wasn’t in trouble.”

         “I know, but … well, I’d like to see for myself. I mean, if I were in a lonely spot in the woods with someone upsetting me, I’d want help. Can you lead me to them?”

         Coral squinted at me like I was a new species she’d stumbled across. Then she shrugged and headed for a short slope overgrown with young trees and dense stands of pawpaws.

         An engine roared to life. As it pulled away, another one turned over.

         “Hold on, Coral.” I unzipped a pocket of my cargo pants. “It sounds like they—” Looking at the time on my phone, I gasped.

         “Coral, can we get back to your farm in twenty minutes?”

         “What’s the rush?”

         I stared at her. “Amber and Dad are marching in the Memorial Day parade. He won’t be upset if we miss him, but Amber will be. I promised her I’d take pictures.”

         Coral rolled her brown eyes. “Oh, yeah, I forgot. But she won’t care if I don’t come. She can’t stand me.”

         “That’s not true.” At least, not completely true. The fights Amber and Coral had were more intense than the spats I’d witnessed between my three half-brothers. “Can we get back in time to ride into town with your parents?”

         Coral studied a slug on a rotten log, a frown puckering her pretty,freckled face. “I don’t think so.” Now she looked worried, probably thinking that Uncle Hank and Aunt Jeanine would believe she

deliberately wandered away to miss her older sister’s performance with the band.

         She raised her head. “We’re not far from Walter’s place. Do you think he’d drive us?”

         My anxiety notched a few degrees higher.

         That all depended on what kind of mood we found our great-grandfather in. And Dad and Uncle Hank and Aunt Jeanine would not approve of us going over there without one of them. We never knew

which outlaw relatives might be hanging around Walter’s house.

         But if there was trouble, Coral and I could escape to the woods. Once Coral was in her natural habitat, chances of anyone keeping up were slim.

         “Okay.” I hitched the shoulder straps of my backpack higher. “We’ll go to Walter’s.”

Write a Scene About These Friends

The last prompt for our month focusing on love and friendship is to write a scene about these friends. I like the look on the face of the girl on the left. Is she just irritated with her hair? Or has she spotted something? Or someone? Here’s my inspiration:

“This one’s pretty good.” I turned my phone to Harper.

Frowning, Harper pulled her hand through her hair. “I think a bug’s caught in my–” She swallowed a gasped and dropped her hand, staring up the hill from the pond where we stood on a narrow catwalk that jutted over it.

I followed her gaze.

Liam Hanson–or Liam Handsome, if you wanted to use the nickname he’d earned from the varsity cheerleading squad–stood at the top of the hill, shading his eyes as he looked into the woods that marched down to the pond on the left.

Harper spun her back to him. “I don’t think he saw me,” she whispered.

I lowered my phone. “What’s the big deal? You said you don’t have feelings for him any more. It’s been a month.”

“I don’t.” A smile flitted across her lips. “And he doesn’t either. The break-up was very mutual, very adult.” She hunched her shoulders suddenly and whispered again, “Cover for me if he comes down here.”

She slipped off the catwalk into the water that had to be freezing in April and sank low enough for her head to bob below the top of the catwalk.

So much for the very adult part.

“Oh, hey, Liv.” Liam strode down the hill.

I forced a smile, slipping my phone in my back pocket. How exactly could I cover for my best friend, who was currently imitating a bullfrog?

For more writing prompts about friendship, click here.

Using Leap Year in a Story

I’m posting this a week early because next week, I’ll have a post for A Storm of Doubts, which launches on March 1. Nothing else on the calendar is quite like Leap Year and Leap Day. So using Leap Year in a story should be as unique as the concept itself.

Speculative Fiction

Such an unusual day seems ready-made for inspiring speculative fiction. In the thirteen-book, middle-grade series, The Notebook of Doom by Troy Cummings, Alexander Bopp’s Leap Day birthday proves pivotal to the plot as he and his elementary school friends battle monsters in their hometown. The first book starts with Alexander moving to Stermont right around his birthday. The importance of his birthday isn’t revealed until the last book. Mr.Cummings uses this plot point cleverly and brings a cohesion to his series that I don’t always find in middle-grade books. The Notebook of Doom is a lot of fun for second and third-grade readers.

The rarity of Leap Year and Leap Day should signal something rare for the characters and plots of speculative fiction. Perhaps a character discovers her special power on February 29th and is at her most powerful on that day. Or a particular magical phenomenon only occurs on February 29th or during the Leap Year, and various parties try to take control of it.

To give a story an Indian-Jones flavor, two groups, one good and one evil, are attempting to discover some powerful object that is only accessible on February 29th. Once they find it, they must use it during the Leap Year. After the year is finished, the object becomes dormant.

Mystery

I’ve encountered two stories in which leap day was a crucial clue. In one short story, of which I can’t recall the title, an old diary is proved to be a fraud because the person who supposedly kept it had an entry for February 29th, 1900. Leap Day occurs at the turn of the century every 400 years. 1600 and 2000 had Leap Days, but not 1700, 1800, and 1900,

In a radio episode of “The New Adventures of Sherlock Holmes” from the 1940’s, a Scottish nobleman waits for his inheritance, which will happen on his twenty-first birthday. Because he was born on Leap Day, he is 84 years old but has only had twenty actual birthdays. A key plot point, again, is the fact that 1900 did not have February 29th. The nobleman must wait until 1904 to celebrate his twenty-first birthday.

Another idea for a mystery is to write about greedy relatives contesting the will of a wealthy woman because she instructs her lawyers not to make its contents known until the next Leap Day. Why the condition? A relative plays detective to uncover the answer.

Or a small town had a notorious murder committed on February 29th. Legend has it that the ghost returns every four years. The town’s tiny police force is strained to the limit dealing with an invasion of ghost hunters. When one ghost hunter turns up dead, the cops have to figure out if there’s a connection between the old murder and the new one.

Other Genres

In a romance, a couple meets on Leap Day. Events and their own flaws tear them apart, but on the next February 29th, they have a chance to reunite. Another idea is for a couple who met on Leap Day to hold a special celebration every four years, and the story charts the development of their relationship on those days.

For a family drama, a tragedy on Leap Day still haunts the survivors years later. On another Leap Day, a character somehow brings peace to the family so they can move on with their lives. Perhaps the family had a misconception about the tragedy.

For more ideas on how to February can inspire your writing, check out this post. 

How can you use Leap Year or Leap Day in a story?

Write an Awkward Romantic Scene

I fell in love with this photo because it seems to capture the agony of first attraction in teens. Both teens look happy. But are the smiles happy or strained? Maybe nervous. Today’s prompt is to write an awkward romantic scene from the viewpoint of one of the teens in the photo. Here’s mine, written from the viewpoint of the boy.

Why is Ava walking so close to me? She must like me. Or the street is too narrow.

Mrs. Hall leads the class into the old house that’s now a museum. Two by two, kids squeeze through the skinny doorway.

I match steps with Ava.

The whole class contracts, getting ready to go inside.

It’s our turn.

Ava brushes her hand against mine and then her shoulder. She looks at me, smiling and pushing up her glasses.

Is that a happy smile? An apologetic one? A polite one to cover up how gross she feels because she’s rubbed shoulders with me?

I glance at her and away as Mrs. Hall starts to tell us why we’re all crammed into this dim entry hall.

Maybe Ava will think I think it’s gross to have touched her because I looked away so fast.

I turn, bumping into her, and our gazes lock.

For more characters prompts, click here.

Writing about a Nice Family (That’s Not Boring)

I take issue with the opening line from Anna Karenina: “All happy families are alike; all unhappy families are unhappy in their own way.” I think a happy family is happy in their own, unique way. But I understand Mr. Tolstoy’s point. Writing about a nice family that’s not boring can be more challenging than writing about a miserable one. Writers think they have more to work with when they create unhappy characters within a family. But as long as the kind members of a family aren’t perfect, and writers don’t shield them from unhappy events, nice families can prove just as interesting as unhappy families. I’ve learned this writing about the Malinowski family in my Rae Riley mystery series.

Not Every Member of a Family Always Gets Along

Even when they love each other. You know from your own experience that there are times when you’re in conflict with some relative. Creating believable conflicts between loving characters adds a lot of interest and tension to a story.

My amateur detective Rae Riley has recently found her father, Mal, and his family. Her father’s mother, sisters, and brother-in-law have been very warm and welcoming. But … in my latest mystery, A Storm of Doubts, Rae’s Aunt Carrie, Mal’s younger sister, is angry at her brother. She’s angry with him for keeping such a huge secret as fathering a child in high school. She’s angry because she feels like she doesn’t know him any more. But more than that, Carrie’s angry that there’s more to Rae’s story that she and Mal aren’t revealing.

So although the siblings love each other, they have a giant problem to resolve that is subplot for my mystery. And because of that love, neither one of them can go off the deep end and do something like spread lies about the other. They may hurt each other, but the family love keeps them trying to fix their problem, instead of sabotaging each other.

In my other Rae Riley mysteries, I’ve established the close relationships Rae is developing with Mal. But that doesn’t mean they can’t have conflict. A major plot line in A Storm of Doubts is Rae’s habit of feeling sorry for people in trouble and trying to help them. Since Mal is the sheriff and seen a lot of life’s ugly side as a cop, he wants her to stay safe.

Their conflict not only makes their relationship real, it also underlines their love. If Mal didn’t care for Rae, he’d let her help whoever she wanted and leave her to clean up her own mess when it goes wrong.

What happy family in fiction is your favorite?

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