With the release of From the Lake to the River: Buckeye Christian Fiction Authors 2018 Anthology, containing my very first short story, just two days away, here are the blurbs for a few more of the stories. If you missed the first set of blurbs, including mine, check out this post from the start of the month.
“Evie’s Letter” by Cindy Thomson
A group of ladies in Cardington, Ohio, are answering letters to Santa. One letter from the daughter of a Confederate soldier asks for something more difficult than giving toys and candy. The women must decide if they can put aside their sorrow for the sake of a child.
“Christmas Angels” by Carole Brown
Her mother called her a failure, and maybe she was. Her husband was gone—in the service, yes, but if he loved her—really loved her, why didn’t he write? Or call? Or send the money she needed?
She was scared too, afraid of being alone, and though she loved this sweet little bundle of joy—her baby—well, was she smart enough and strong enough to raise her? She didn’t mind doing without all the nice things she’d love to have, but not being able to provide luxuries like Christmas trees, ornaments and presents for her baby girl was beyond enduring.
What she needed was a miracle…and that wasn’t going to happen.
“Cold Read” by Sharyn Kopf
When Stephie Graham volunteered to direct The Rainmaker at the historic Holland Theatre in Bellefontaine, Ohio, she might not have thought it all through. Like how hard it can be to find six male cast members for a small community production. But then Andy Tremont moseys into the audition—and into her heart.
At first, everything seems to be coming together just fine … until it starts to fall apart. First, the female lead breaks her foot. Then Stephie learns there are talks of selling the Holland to developers. And, in case things weren’t difficult enough, the theatre might have a ghost named Juniper who’s trying to keep Stephie and Andy from getting together. There was, in fact, a Juniper who took the Holland stage in 1933 and sang about her broken heart, certain she had lost her chance at love.
But maybe God has a plan for both women that is beyond what either could ever imagine.
“Fred’s Gift” by Bettie Boswell
Widowed mother Dawn is filled with regrets concerning her aging father. Is it too late to make up for lost time? Or, will she find peace and perhaps a new love as her father’s final journey is revealed?
You can pre-order this book at the following sites: Amazon,Barnes and Noble, and Kobo. On Saturday, when the book releases, I’ll have more information on how to buy it.
Because of a short story’s limited word count, creating names for short story characters is more important than just hanging an identifying label on them.
In my short story, “Debt to Pay”, I have a male character in his twenties who is weak, easily manipulated. A soft sounding name helps convey those flaws. Since my story is set in the present, I also needed a name that someone born in the ’90’s would be likely to have. “Asa” might sound weak, but it certainly would seem out of place attached to a contemporary character. I chose Ryan Conley. R’s and n’s have a soft sound, and the y on the end sound like a diminutive, like in Tommy or Annie. C is a strong consonant, so maybe I should have gone with Hanley or Finley, but I think Conley”gets the job done.
My only female characters is new to wealthy and in her 30’s. I wanted her to sound nouveau riche, and names like Victoria and Rebecca sound too old money. I went with Natalie. It’s suitable for someone born in 1980’s, but still sounds modern, like Madison or Harper, rather than timeless, like Sarah or Alice.
My main character, sixteen-year-old Jay, meets these two characters for the first time in the story. He nicknames them “Mr. Smooth” and “Fashion Model.” His nicknames tell the reader not only how the characters look, but also how Jay thinks of them. For more on using nicknames in your writing, see my post “Lesson #1 from The Deer on a Bicycle.
I also have a character who is a millionaire and a member of family that’s been wealthy for generations. So the last name had to sound as impressive but not imposing. So I ignored last names like Arlington or King or Powers. I chose Everett. It sounds like a name that could have come over on the Mayflower. I picked Adam for the first name because I wanted something traditional, which would fit a conservative, wealthy American dynasty, but something more distinct than James or Charles or Richard.
How do you name your characters? Do you have to like a name? How do you find ones that suit your characters?
This poem came to me when I waded the river near my home to relieve stress. Since my kids did fishing for their 4-H projects this summer, I have spent a lot of time out on the river and always feel better when I get away from all the demands of life — homework, housework, deadlines, whatever. At the river, I can’t do more than be there. And I love that.
One of the authors in From the Lake to the River has stopped by to talk about her short story “Fred’s Gift” and her writing journey. Please welcome, Bettie Boswell!
You said your father inspired your story. What parts of the character Fred are like your father and what parts aren’t?
Bettie: My father was known for writing letters to his children that could be rather blunt. In his elder years he softened up and became a gentler voice to his family. He also surprised everyone by becoming involved in all the activities at his assisted living, including the Church ones. Several years before he entered assisted living, he did deed his home place to me and a sibling. Since he passed, I use it as a retreat to write music and stories. My brother uses it as a place to hunt deer, while I use it to hunt the right words.
Why did you choose Toledo and central Ohio as the setting?
Bettie: Northwest Ohio—I chose that area because it is where I live. Also there are areas nearby that would fit both the rural and suburban settings of the story. Though my father’s land is in another state, the Ohio farmlands are similar in setting.
You’re both an author and composer. What are the similarities between these two arts? What are the differences?
Bettie: The music I write generally has words, so choosing the right word with the right meaning is an important part in both. Most of the time the words to a song come first. Music uses poetry and which eliminates extra words that aren’t needed to convey a thought. Rhyming and rhythm come easy and–though not obvious in prose–many times they play a part in putting words into a sentence.
Writing isn’t restricted to a set meter so there is more freedom in expression. Terminology means different things in each place. Beat in music keeps the pulse going. Beat in a story refers to an action used instead of a tag like ‘he said.’ Mood in music may be expressed by tempo, dynamics, style, or by using a minor or major key. Mood in writing is composed of specific words, short or long sentences, actions or phrases conveying emotions. I think I could write a major essay on the comparison so I will stop for now.
If you do a major essay, let me know! I would love to feature it. Next question — What’s been your most unusual source of inspiration?
Bettie: I am inspired by family history and historic research. My father researched his genealogy and retold many of the family tales, which may find their way into a story someday. Many of the musicals I’ve written are based on Ohio history. Some of my children’s manuscripts are inspired by events experienced by my children and grandchildren. I’m working on one now about a Pig Alert that really happened to us when my boys were little. We saw some pigs fly…sort of…
What advice would you give to beginning writers?
Bettie: Learn the craft. Take classes to improve yourself. I’m taking a great on-line one right now from author Tina Radcliffe. Attend critique groups and conferences. (Learn to know which critiques are valid and which are not. Not everyone knows how to write your story, but you can learn from others who will see things you can’t.) I belong to several critique and writing groups. From the Lake to the River was developed through such a group.
Conferences are for more than learning. They give you the chance to share with editors and agents–but learn what to say to them before you go there. I left my first one in tears. I would suggest just going to workshops the first time you attend a conference. Listen to those who actually go to a meeting and learn from their mistakes. Sign up for a mentor meeting instead of an agent or editor. After that, pay the extra fees and meet up with several editors or agents. Those meetings may be the only way to get anyone to look at your manuscript.
Don’t pout too long when you get a rejection. Get over yourself, learn from it and challenge yourself to conquer the next hurdle in your writing career. Rejecting editors opinions are just that, an opinion. If they do make a suggestion give it major consideration and make changes.
I also became interested in children’s books and attended workshops at the Highlights Foundation. (They have scholarships if the price scares you.) Though their aim is children to young adult books, I learned a lot there that improved my ability to write for any age group. Keep plugging away. Put yourself in front of your computer and start typing. (By the way, writing will cost you much learning time and money until you become a very famous writer. Think of it as an investment in a new career training academy or college.)
Enter contests. An early draft of “Fred’s Gift” placed third in a state ACFW contest a few years ago. AFCW has a contest every year for beginners. I’ve entered it twice and the critiques are worth the entry fee.
Today you have to be involved in social media and have a ‘platform.’ That was a tough one for me but I’ve become part of the Twitter (@Bboswellb) and Facebook world. They tell me now that Instagram is the way to go so I guess one of these days I’ll break that barrier–probably about the time they start a new venue. I submitted one children’s story to a small publisher and they said I had to have a social media presence to be considered by their house. That’s when I decided to jump into that world.
There are many great on-line communities that support writer’s. My favorite for many years has been Seekerville. They have an archive of amazing articles on writing for the Christian market. ACFW(Christian fiction) and SCBWI (Children’s) both have a wealth of information (pod casts, online classes, other resources) available on their websites if you are a member. You can start your education and have a couple of society initials to put after your name on your resume when you join them.
Bettie Boswell is an author, illustrator, and composer for both Christian and children’s markets. She holds a B.S. in Church Music from Cincinnati Bible College and a Masters in Elementary Education from East Tennessee State University. She lives in Northwest Ohio. Her numerous musicals have been performed at schools, churches, and two community theater events. When she isn’t writing, drawing or composing, she keeps busy with her day job teaching elementary music .
I put this into practice for the first time last January when I wrote the rough draft of my short story, “Debt to Pay”, which will appear in the anthology From the Lake to the River. To achieve deep POV, I had to imagine my entire story through the senses of my first person narrator, sixteen-year-old Jay. It was as if my rural setting in Wayne National Forest was a world in Minecraft, and Jay was my avatar.
What amazed me was how thoroughly I experienced Jay’s environment through this technique. I saw the world through his eyes, heard it through his ears. When I finished writing the action sequence at the climax, I was breathing hard, and my heart was racing. Deep POV made my imagination come alive and I hope I have transferred the vividness into words.
The disadvantage with deep POV is that it can confuse your readers. I discovered that when I asked relatives and friends to read my rough draft. In general, they thought the story made sense, but they became confused during the action at the end. I had captured the chaos Jay experiences so well that my readers found it chaotic, too. As fellow writers Cindy Thomson and Michelle Levigne told me, sometimes a writer needs to insert tiny tells to help the reader. Your reader shouldn’t work hard to follow your story. I know when I have to deeply concentrate to figure out a plot, I may just give up.
So I returned to my rough draft and inserted tells to help the readers follow the action. But I had to make the tells seems natural for Jay to think since I was still using deep POV.
How do you get into the mind of your POV characters?