Creating the YA Antagonist

Last week, I wrote about creating the YA protagonist. Now I flip the equation to discuss creating the YA antagonist. A protagonist is only as compelling as the antagonist he or she has to deal with. Would Sherlock Holmes be as memorable without matching wits with Professor Moriarty? You should invest as much care in developing your antagonist as your protagonist.

General Rules for Antagonists

They Don’t Have to be People.

An antagonist is whoever or whatever prevents the protagonist for reaching her goal. In Hatchet by Gary Paulsen, the main character is up against surviving in the Canadian wilderness with nothing but a hatchet and a windbreaker. In the nonfiction book Dove, Robin Lee Graham, who began sailing around the world at sixteen, must battle the sea and his own thoughts while he’s alone on the ocean. The antagonist for the main character in Challenger Deep is his own schizophrenia.

They Don’t Have to be Villains.

The antagonist doesn’t have to be evil or the bad guy. Just the person who is throwing obstacles in the way of the protagonist. Let’s say the main character is a sixteen-year-old boy who wants to become a cop like his late father, who died in the line of duty. His mother is dead set against his goal and does everything in her power to dissuade him in the name of safety. She’s the antagonist but not a villain.

I think it’s far more challenging to write about an antagonist, who is a good person, but is at odds with the protagonist. I can’t rely on painting my antagonist in pure black. I have to use more nuanced colors. While this can be challenging, and even frustrating, there’s also a greater reward if I succeed, creating two characters who aren’t just the good guy and the bad guy.

Rules for YA Antagonists

Your Antagonist is an Adult.

Don’t fall into the cliches I’ve seen in a lot of teen books in which all the adult characters are either stupid or mean or both. The adult characters in a YA story should be as fleshed out as the teen characters. If the adult antagonist is a villain, I have to supply a better reason for his villainy than “I said so”.

It’s difficult for a teen to contend with an adult because of the vast experience an adult has built up. But don’t level the playing field by making the adult antagonist a dope. First, you want your teen main character to have a worthy adversary. As I said in a teen writing workshop I led over the summer, you don’t want Conan the Barbarian going up against the Easter Bunny. You have to develop a realistic way for your teen to overcome the adult antagonist to make the characters both believable and the story rewarding for the reader.

Your Antagonist is a Teen

If your antagonist is a teen, you may run into the flip side of the problem above. To make the clash between protagonist and antagonist interesting, I may end up with two characters who dress like teens but act like adults. Since I write mysteries, I might have a teen as the culprit. Having been a teen and known teens, I don’t buy the teen villain who hatches his plan like a master criminal. What seems more believable is the teen who commits a crime in a sudden burst of anger and then spends the story trying to stay ahead of the police and the teen protagonist.

What are your thoughts on creating the YA antagonist? Who are your favorites?

Creating the YA Protagonist

Creating the YA protagonist is the most important part when it comes to writing a YA story. If your protagonist doesn’t appeal to your audience, nothing else in the story will matter. So how do you create a protagonist that teens will want to get to know from page 1 until the end? From my writing and reading, I think the key ingredients are giving the protagonist characteristics that make them likable and relatable as well as vulnerable.

Likable

Your YA protagonist should be someone teen readers want to spend time with. What qualities could your main character possess that would attract teen readers? Reread stories you liked as a teen and take notes. What appealed to you about these teen characters way back when? Was it their sense of humor? Their loyalty to friends? Their bravery? If you don’t remember, read current teen books and make notes about what you like and don’t like about the main characters.

Relatable

When creating the YA protagonist, you have to make him or her relatable, even if your character is a Plutonian with X-ray eyes, or a page to a medieval knight, or was raised on the run by a father, who is wanted by the F.B.I. The main character has to have some qualities that teens share through time and space.

I fell in love with The Outsiders in high school, although the protagonist, Ponyboy Curtis, is fourteen, lives with his two older brothers since their parents died, and has to worry about getting jumped by the rich kids in 1960’s Tulsa, Oklahoma. I had none of those problems and was a teen in the 80’s, but I related to Ponyboy’s anger over class distinction. He also likes to watch a movie so he could live the story with actors. I was becoming a serious movie fan at the time, so I could relate to Ponyboy’s desire.

Vulnerable

Giving your main character certain vulnerabilities goes a long way to making them both likable and relatable. If your protagonist is afraid of driving because of all the responsibilities it entails, that’s a vulernability readers can relate to or sympathize with. If you sympathize with a character, chances are you like her. Also since we all have areas in our life where we’re vulnerable, it makes the character seem human, and therefore, relatable.

Now, a Warning …

Two things that irritate me when I encounter them in protagonist in YA stories are main characters with tons of attitude or wisdom beyond their years.

My objection to the character with attitude is it’s been done. A lot. I understand why. It’s easy and fun to develop a character who is always mouthing off and making snarky comments in his head. I learned this when I wrote an inverse mystery, “Bovine”, from the point of view of a snobbish New York author. But all the nasty observations can be a thin cover for the fact that there isn’t much development of the character.

Of course, your protagonist carries a certain attitude toward life and you have to convey that. Just be sure to flesh out your main character, that he has more going for him than a caustic wit and disrespect for his fellow humans.

When I read about teen characters who move through their lives with more wisdom than Yoda, I’m turned off. A teen can’t know as much as an adult. They haven’t had the time. Now they can be very knowledgeable in certain areas, but when it comes to dealing with people, they should not be masters. Most elderly people are not masters, so it’s silly to create teen characters who have such a deep understanding of other people’s motivations, that they can read them correctly or give advice.

I have to watch this when writing my mysteries with my teen detective. Rae Riley is supposed to be smart. But she’s also nineteen, going on twenty. She will do things wrong simply because of her age, and I have to let her so that readers are convinced she’s nineteen, going on twenty.

For more tips on writing YA, click here.

What advice do you have for creating the YA protagonist? Which books have great YA main characters?

Portraits for NaNoWriMo

As you work on your first draft for NaNoWriMo, you might run into writer’s block or at least a snag. If that problem concerns creating a character, check out these portraits for NaNoWriMo that I’ve selected. When I’m looking for a new character, I need a face that captures my attention and makes me wonder about a personality that might fit with it. If one of these portraits inspires a character, let me know!

I like the expression on the girl’s face. She’s either watching something or daydreaming. Either way, the portrait gives you a sense of the mind behind the face.

Maybe a good heroine for a historical or fantasy story?

For more character portraits for NaNoWriMo, click here.

NaNoWriMo Prompts for Characters

If you need NaNoWriMo prompts for characters, look no further! If I need a character who has more than a walk-on part, I also need a face I can see clearly to go with this character. If your creative spark has dimmed to a cinder and you need a few more characters, check out the gallery of portraits from Pixabay. You may rekindle your inspiration!

I love the expression on this little guy’s face.
I find this face intriguing. He could fill in for Gandalf.

For more prompts for characters, click here. Where do you find inspiration for characters?

When a Character Takes Over

If you let your imagination soar during NaNoWriMo, you run the risk of a character hijacking your story. Maybe you’ve read about other writers who have had characters appear out of nowhere, fully formed, as if someone has air-dropped them into their brains. Don’t let it worry you. When a character takes over, you may find yourself with a much better story. That was my experience while writing my YA mystery A Shadow on the Snow.

My main character nineteen-year-old Rae Riley has just discovered who her father is and is getting to know her sprawling, extended family. Her thirty-seven-year-old father Mal has an eighty-year-old grandfather. A former lineman, Mal is built like a grizzly bear, and since he shares his name with his grandfather–Walter Reuel Malinowski–I wanted them to share physical characteristics too. Personally, I didn’t know any big elderly men who looked like former football players. Usually, I have to see a character as clearly as I do people in reality to feel comfortable writing about them, I had to have some person to fill the spot in my story, at least temporarily, so I picked Clint Eastwood because I knew he was a tall man and I’d seen photos of him in his eighties.

I began writing. Next thing I knew, Walter was in charge.

Every scene he was in he took center stage. As I wrote dialogue, I felt more like I was taking dictation than imagining the conversation. (Yes, we writers hear voices in our heads, but we know they’re not real. Most of the time.)

As I wrote, Walter’s appearance changed. The Clint Eastwood looks disappeared. The man I saw in my mind was as broad and intimidating as a tank with deep-set eyes and aggressively square jaw. And this change was not conscious thinking on my part. He transformed without me realizing it.

What’s more, he was fun to write. His blunt, harsh, mean personality was such a contrast to Rae and Mal. But I knew he was more than just a bully and enjoyed exploring all the facets of his character. I worked him into more scenes and the book benefited from his larger presence. But I had to remember that ,while important, Walter was still a minor character. If I didn’t keep tight control of him–something he would swear no one could do–he’d run amok and change my entire novel.

I wasn’t the only one who Walter won over. Two of my beta readers singled him out as one of their favorite characters. I’m looking forward to including him in my next mystery.

For more tips on writing characters, click here.

Who are some minor characters that you love?

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