Tag: Advice on writing YA fiction

Writing Clean and Sweet Romance

Writing clean and sweet romance

So happy to have YA author Melissa Knight back! As a romance author, she’s the perfect writer to give advice for writing clean and sweet romance. The stage is yours, Melissa!

As a romance writer, a Valentine’s Day mentality is always on my mind!  As a Christian YA romance writer, however, must passion be scaled down or sanitized to the point where love seems bland or blah?

It depends on your definition of romance, of course.  There are plenty of suggestive scenes in both adult and YA books that depict the steamy, physical side of mutual attraction. Is that romance?  How about the longing looks, the deep, dreamy sighs, the stars-in-her-eyes forgiveness of the big red flags signaling trouble ahead- is that true love?

In my YA world, I strive to keep the romantic interactions clean and sweet.  I don’t go beyond holding hands, hugs and a few light kisses. My audience knows what’s out there, however.  They hear their friends talk about going much farther than that, in their relationships. Perhaps they’ve made those choices themselves, with no regrets, and scorn a point of view teaching about sexual purity and waiting until marriage. How on earth am I going to engage, and hopefully influence, those readers?

The answer goes back to my original question, I think.  What is romance, really?  What moves a relationship from “I like you” to “I love you”? One we want to last forever? 

As a Christian, I ponder the gold standard of what true love looks like, and go from there.

“Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres.”

There are a bunch of verbs and actions in that passage!  Protects, trusts, hopes, perseveres!  Is patient and kind! Is not proud or selfish!  Wow, what young girl wouldn’t want a guy like that?  This passage is also a writer’s dream, because it outlines one of our cardinal rules:

SHOW, DON’T TELL

Love isn’t just words, it’s action.  So what does that look like, when writing a Christian romance that will intrigue even non-Christian teens?

I try to focus on all those verbs we just read.  Yes, the female main character will notice the way the guy looks, the sound of his voice, his roguish smile, the spark in his eyes, the way he gives her butterflies with a single look.  There may be teasing or tension in their conversations.  They may have shared interests or projects to move the relationships along.  But what will make them last, beyond a surface attraction? What will make the reader want to claim the guy as her book boyfriend?

Personalities influence actions, of course.  The arrogant guy is gentle with the girl, when she is upset. The popular guy is kind to the girl’s younger sisters, becoming their friends and treating them with respect.  These aren’t unusual actions, but that’s kind of the point. Though flawed, perhaps with pasts riddled with mistakes, the young men show kindness, forgiveness and protectiveness.  It’s part of who they are, revealing their hearts to the young women through their everyday decisions, not in some showy one-off display of showering the girl with candy and flowers, or eloquent flattery.

That is the kind of guy every girl should expect.  The kind of boyfriend we want our teenage daughters to dream of!

Romance is surely one of the simplest, yet most complex subjects to capture in words. Perhaps the Creator of romance intends it that way, always a work in progress.

Thank you, Melissa! To read her previous guest post on writing for teens, click here.

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If there’s a formula to great relationships, will Casey ever figure it out?

Lots of life changes mean much stress when Casey moves to a new town and high school, complete with a new stepfather and stepbrothers. Add broken friendships and a possible new romance to the mix, and the potential for things to go horribly wrong- or amazingly right- is yet to be decided!

And then there are the hard questions- is the faith in God that I used to have as a child still there? What does God really want from me?

“Feelin’ The Chemistry” is the first book in the Christian Contemporary YA series High School 101.

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Melissa Knight

I have spent most of my adult years surrounded by kids of all ages, having taught in public schools at almost every grade level. I did some writing “on the side” through the years, publishing articles and short stories in various magazines and publications for children and teens.  I kept collecting ideas and writing down what I hoped were cool scenes and characters.

Our teens deserve clean books that not only entertain but provide clarity in a chaotic culture. My aim is to write fiction that is real, relatable and attracts young adults to Christ!

I live with my husband in the heart of oil country, west Texas, have two amazing adult children, and am looking forward to adding a son-in-law in the not-too-distant future!

You can connect with me at these links: Amazon , Facebook , Goodreads , X

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If You Want to Write YA Fiction

If you want to write YA fiction

As we follow “The Journey of Book” this year on my blog, we’ll examine some genres as well as discuss tips on developing plot, settings, and characters. Studying young adult or YA fiction was a natural choice because that’s what I usually write. With a mystery twist. If you want to write YA fiction, keep reading and follow my blog this month for more posts and prompts about this genre.

Before you delve into your story for teens, you need to consider the following and decide if this is the correct genre for your story.

What’s the Age of Your Main Character?

I was reminded on Wikipedia that the age range for the YA genre is twelve to eighteen, although some adults like to read YA. And kids tend to read up. By that I mean, younger kids want to read about older kids and not usually vice versa. If you’re main character is twelve, then your story will appeal to kids eight to ten-years-old and you have a middle grade novel, not a YA one. My mystery, A Shadow on the Snow, has a nineteen-year-old amateur detective, a good age to interest high school readers.

Be aware that there’s a big difference in character development and plot possibilities if your main character is eighteen or nineteen, legally an adult. I’ve made that fact a part of my plotting; the newly-found father of my teen detective Rae isn’t sure what his role is as a parent of an adult because his next oldest child is thirteen.

Is Your Main Character Dealing with Something that Concerns Teens?

This is a topic adult writers fear and spend a considerable time wrestling with. After all, life is so different for teens now, especially those who were teens during the pandemic. Or is it?

One way to discover a relevant problems for your teen main character to deal with is to take a trip back to your teen years. What were your interests back then? What were your fears? What were your joys? Your goals?

I’ve read advice about talking to teens now and asking them those questions, but I only do that if I’m checking on manners and slang. Because I find writing from my own experiences as a teen to be much more authentic than borrowing those thoughts and emotions from someone else.

For example, I fell in love with old movies and classic mysteries in my teen years, which instilled an interest and delight in them I still hold. At seventeen, I discovered the humorous short stories of Damon Runyon. I’d never read stories in which the author wrote in dialect. I thought I’d uncovered a tremendous literary secret.

I can apply that passion to any number of hobbies or pursuits a teen might like, but the way I make it come to life is to remember my emotions about my own hobbies or pursuits as a teen.

What is Your Motivation for Writing YA?

If you want to write YA fiction because you think current YA fiction is too graphic or immoral or boring or unimaginative, and your story will shake up the genre, be very, very careful.

None of those reasons are bad in themselves. But if you start with an agenda, instead of a story, then your story will most likely suffer and be of little interest to readers. That doesn’t mean you can’t explore themes in your stories. But the theme should serve the story, not the other way around, or readers will feel like they are being lectured by the author instead of hearing from the characters.

For more on agenda vs. theme, click here for an excellent article on The Write Conversation. For another view on the author’s view ruining a story, click here.

If you want to write YA fiction, I’d love to read your reasons!

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Writing Tip — Cliches I Hate in YA Fiction

readw-515531_1280Since I started the month writing about why I write YA fiction, I’m ending it with cliches I  hate in YA fiction.

All the adults are mean, stupid, or unrealistic.

All the characters in a book should have an understandable motive for how they act. In YA fiction, the adult characters should be as well developed as the teen ones. If the father of the main character is cruel to him, the author must provide a reason other than it’s convenient for the plot. If the parents don’t know what their teens are up to, it shouldn’t be because they are too stupid to realize their kids are into trouble.

This kind of character motivation was brought home to me by my friend, author Cindy Thomson. I wrote about this in my post “Digging Deeper into Characters”. With both your major or minor character, you need to ask why characters act the way they do. I think this is especially important when developing a villain. She does things because she’s bad isn’t a good reason.

In my novel The Truth and Other Strangers, Sheriff Acker hates the family my main character belongs to and goes outside of the law to deal with them. Why? Because some members of the Lody family are con artists, and the sheriff assumes all Lodys are bad. But why does he go outside the law? Because he thinks like a Pharisee. He believes he acts so perfectly in both his personal and professional life that he can accurately judge when to use extra-legal methods to protect law-abiding citizens from anyone he labels a criminal.

When any of my characters isn’t behaving correctly or won’t behave at all, I need to ask why. Over and over until I come up with a realistic answer.

Private Schools

In YA book after YA book, the main setting is a private school. In Christian fiction, it’s often a private Christian high school. A variation is for a kid in a private school to lose her money and be forced to attend a public school. I don’t have the numbers in front of me, but I think most American teens never attend a private school, certainly very few attend a private high school. My kids don’t. The teens in my church don’t.

I see some advantages for this setting. The teens have less oversight if they board at a private school, giving the author more room to get them into trouble. It’s also an easy way to employ the fish-out-of-water plot: poor, deserving teen wins a scholarship to snooty private school and is set upon by rich brats. (By the way, why do so many YA books deal with rich brats? Do publishers or authors thinks poor kids don’t have interesting problems?)

Although authors can use this setting well, new authors should find other ways to get their characters into trouble or throw them into uncomfortable situations. The private school is growing old. And I think readers would appreciate seeing characters in a setting more familiar to them.

Your turn. What cliches do you hate in YA fiction?

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Writing Tip — Guest Blogger, Laurie Lucking

My guest today is YA fantasy author Laurie Lucking. Instead of an interview, Laurie has written a post on authenticity. It has so many great points! Take it away, Laurie!

Authenticity in Writing for Teens

Laurie Lucking HeadshotOne of the cautions I hear most about writing for a teen audience is you have to be authentic—if you’re not genuine, they’ll spot it from a mile away. The thought makes me nervous! I’m not a teen, nor do I currently have any young adults in my family or close circle of friends. So will my teenage characters come off as inauthentic stereotypes? Will I distance myself from readers by sounding like a preachy adult?

But here’s the thing—I was a teen, back in the day. In fact, it was such a formative time in my life that I wanted to write books like the ones that shaped me in middle school and high school. As I write my teen characters, I can still tap into those memories and emotions. Even more importantly, I bring myself back to the simple but essential reminder that each teen is an individual. And I’ve found the key to avoiding stereotypes and preachiness is to focus on writing individual characters. Complex, relatable characters that read like real people. In the case of young adult fiction, these characters happen to be teenagers when the story takes place. But they’re so much more than just “teens.”

Do you see the difference? Writing how you imagine all teens think, act, and speak leads to characters who feel like stereotypes. Yes, many teenagers like certain music, watch certain television shows, or use particular slang. But not all. Some quote Shakespeare, some rap along with Jay-Z, others play classical music on their oboes or read every issue of Seventeenmagazine. A select few might do all four! So write your characters as interesting, three-dimensional, sometimes surprising individuals, not generic teens as you expect them to act based on news stories or the grumblings of older generations.

In a similar vein, refrain from using your story to illustrate how you think teens should act. As with characters who feel like stereotypes, an obvious agenda will distance readers from you and your narrative. Even inspiring characters must be written as individuals, or readers may find them preachy and impossible to relate to. Some young adults live very virtuous lives, and there’s nothing wrong with using that as a starting point for a character as long as he or she also has some faults, quirks, and temptations, with dialogue and thoughts that are realistic instead of reading like mini sermons. Or, if a character starts out in a bad situation and matures and grows during the course of the story, make those struggles tangible and multifaceted, not a straightforward climb from wrong to right. As many of us know, learning important life lessons is never easy whether you’re a child, teen, or adult!

All this isn’t to say we can lose sight of the fact that our principal characters are teenagers. They shouldn’t think and act just like adults, nor have the relative innocence of grade schoolers. The young adult phase of life is unique in its endless possibilities, intense emotions, strong but complex bonds with peers, and the excitement and angst of being so close and yet so far from being a true adult. My favorite part of writing for teens is embracing the trials and joys of that extraordinary phase of life between childhood and adulthood, and I hope that comes through in the characters and stories I write.

Now I want to hear from you! What do you find the most enjoyable or challenging about writing for teens? Do you have any tips to share? Thanks for having me today!

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Common-coverOnly one person knows of the plot against the royal family and cares enough to try to stop it—the servant girl they banished.

Leah spends her days scrubbing floors, polishing silver, and meekly curtsying to nobility. Nothing distinguishes her from the other commoners serving at the palace, except her red hair.

And her secret friendship with Rafe, the Crown Prince of Imperia.

But Leah’s safe, ordinary world begins to splinter. Rafe’s parents announce his betrothal to a foreign princess, and she unearths a plot to overthrow the royal family. When she reports it without proof, her life shatters completely when the queen banishes her for treason.

Harbored by an unusual group of nuns, Leah must secure Rafe’s safety before it’s too late. But her quest reveals a villain far more sinister than an ambitious nobleman with his eye on the throne.

Can a common maidservant summon the courage to fight for her dearest friend?

Common purchase links

Amazon: https://www.amazon.com/dp/B07958ZV6X

Barnes & Noble: https://www.barnesandnoble.com/w/common-laurie-lucking/1127863203

iBooks: https://itunes.apple.com/us/book/common/id1338176577

Kobo: https://www.kobo.com/us/en/ebook/common-1

Goodreads: https://www.goodreads.com/book/show/36755967-common

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An avid reader practically since birth, Laurie Lucking discovered her passion for writing after leaving her career as an attorney to become a stay-at-home mom. When she gets a break from playing board games and finding lost toys, she writes young adult fantasy with a strong thread of fairy tale romance. Her debut novel, Common, won the Christian Editor Connection’s Excellence in Editing Award, placed third in the Christian Women Reader’s Club Literary Lighthouse Awards, and is a finalist in the ACFW Carol Awards. She has short stories published in Mythical Doorways, Encircled, and the upcoming Christmas Fiction off the Beaten Path. Laurie is the Secretary of her local ACFW chapter and a co-founder of Lands Uncharted, a blog for fans of clean young adult speculative fiction. A Midwestern girl through and through, she currently lives in Minnesota with her husband and three children. Find out more by visiting www.laurielucking.com.

Or on these sites: her blog, Amazon, Reader’s Group, Facebook, Twitter, Instagram, Goodreads, and Pinterest.

 

 

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Writing Tip — Guest Blogger, Clare Campbell

Picture1.Today, fantasy YA writer Clare Campbell is here to talk about her experience writing YA fiction. Welcome, Clare!

One of the great things about YA fiction is that you can write in any genre as along as your main character is a teen. What genre do you write? Why?

Fantasy. I blame Disney for whisking me off to Serengeti sunrises, Arabian nights, and bewitched castles.

What’s great about YA fantasy is that it seems to be rooted in these early fairytales. Some of the best YA hits have all been wonderful re-twists on fairytale folklore. It’s fodder for imagination, and I believe that’s important to preserve. Young lives are so ‘plugged-in’ to social media, it’s essential that a good story transports them to other worlds, landscapes, and exciting concepts.

What I love most about YA fiction is that it explores issues important to young people. It’s their voice in the humdrum of society. If you want to know what’s bothering the youth of today, walk into a bookstore and take a gander at the YA titles. They’ll scream off the shelf in bold color. They’ll dazzle with fierce voices that dismantle worn-out kingdoms. They’ll bleed a rainbow of love. They’ll sing of acceptance and true beauty. Words for everyone regardless of age.

Which comes first when starting a story – character, plot, or setting?

For me, it’s a strong sense of character. If you know who the character is then their attitude will inform the plot, and the setting will veil around them like an outward projection of themselves.

Ever notice how a serious character creates a moodier atmosphere in a story? Or, how a kid with attitude lives in this bold, ‘in-yo-face’ world?

If I’ve a strong attachment to the nature and purpose of the main character, the setting and plot seem to flow with ease. Everything I write tends to fall into the magical or mythic, so I recommend having a constant nose for good folklore. Every chance I get I’m travelling, or reading about various cultures, mythologies, or religions. It gives me a diverse well of information to draw upon.

I love reading myths and folklore, looking for inspiration.

Most YA writers aren’t YA. How do you write authentically about characters younger than you are?

Young people are awesome! I’ve worked with all kinds of teenagers. From the homeless, to the disabled, to the exceptional, and each of them has a magnetic spark. A spark, I believe, we never lose no matter how old we get. Some of us might forget about it, or deem it too immature, or naïve. But, some of us retain that spark and hold it up as the thing that makes us see the world through a lens of hope. Or, the youthful energy that makes us believe we can achieve the impossible even against the odds. That’s all you need to connect with YA audiences.

What are some other unique challenges about writing YA?

The market! It can sound like doomsday to authors. At times I felt like there was a sign on the gate, ‘don’t bother, we’re full.’

And then I remembered something important.

If you treat something like an impossible mountain, you’ll never climb it. I started off not knowing a darn thing about writing, and made two million readers fall in love with my online, fanfiction—an oversaturated market. I made that mountain move. I think I’ve enough brazen impudence, and youthful spark in me to kick the gate down too.

Success is in the mind. May the odds be ever in your favor. Live long and prosper my fellow YA authors.

What’s been your most unusual source of inspiration for a story or character?

Dame Judi Dench did this amazing documentary on trees. Trees play a significant role in Irish mythology, and a significant role to the world. Dame Judi and I appear to share this quirky interest. At one part in the documentary she was able to prove that trees communicate. At another she held a stethoscope up to the trunk and listened to it “breathe.” This ‘consciousness of trees’ really shaped how I tackled world building. I was able to give life to those silent giants, almost making them characters in their own right.

Thanks so much for stopping by!

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Clare is a successful and highly popular author of award winning Fanfiction, with thousands of online fans and over 2 million reads on her Lord of the Rings Fanfic epic. Clare has also won several writing awards. Her YA fantasy Tempest, was awarded runner-up for Serious Writer, ‘Writer of the Year’ 2019.

As well as writing, Clare is an experienced Occupational Therapist, with a passion for enabling people. Her love of storytelling, merged with her positive messages, inspires her to create meaningful narratives that represent diversity and promote unity.

As a native Irish woman, she can usually be found searching for the fair folk, exploring ancient Viking harbors, and defending the odd castle. To learn more about Clare, discover her fanfiction, and join her on her publication journey, visit; www.CJCampbellOfficial.com.

Join Clare’s mailing list and receive platform building hints and access to exclusive online content: http://cjcampbellofficial.com/contact-us/. 

You can also follow her on Twitter, Facebook, and Instagram.

 

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Picture2Platform often scares so many authors, especially in YA, but do you know a lot of young people read and write fanfiction?

I began my career writing fanfiction, and to date have thousands of committed fans, and 2 million readers. How? Well, I learned how to identify and write fanfiction to create MAJOR platform.

I’ve put together this geeky, fandom-filled class for Serious Writer Academy to teach other authors how to build platform, engage with readers, and have a ton of fun doing it. Find out more info here: https://www.seriouswriteracademy.com/clare-campbell/

 

 

 

 

 

 

 

 

 

 

 

 

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