3 Things I Learned from Reading Quality YA

Another new YA author to introduce to you. Annika Klanderud hasn’t published a novel yet, but she has published short stories and articles, and her unpublished YA novels have won national awards. She’s here today to share “3 Things I Learned from Reading Quality YA”. Welcome, Annika!

I recently read the first chapter of three very different young adult (YA) novels (The Forgetting by Sharon Cameron—Dystopian; I MUST BETRAY YOU by Ruta Sepetys—Historical; and THERE YOU’LL FIND ME by Jenny B. Jones—Contemporary). Each opening chapter was totally gripping and drew me in right away. So, it was no surprise that I found they all shared three craft elements that must be included in every YA novel to pull the reader in.

The experience reminded me of how the Apostle Paul, in Ephesians 3:4, assured Christians that “. . . when you read, you may understand my knowledge in the mystery of Christ.” In Paul’s case, he was encouraging Christians to read the Scriptures in order to perfect their spiritual understanding. As far as YA fiction goes, I encourage authors to read quality YA in order to perfect the craft of writing fiction for teens.

Whether chapter one was about a teenager hiding from authorities on the wall of her city, a boy in school in Romania trying to get up the courage to talk to a girl, or a teenage girl sitting beside a celebrity on an airplane, every opening chapter grounded me, the reader, in time and place. I could taste the dust in the air, smell the sweat from the crowds surrounding the main character, and I felt like falling asleep along with the main character in the dimly lit airplane cabin.

Of course, no YA novel is complete without a healthy dose of teenage angst. But what I found in the first chapters of each of these novels was that the normal teen drama of testing authorities, crushing on a girl, and battling the emotional struggle of losing a family member too soon were all just small transitions. Soon each main character would learn that things can get much harder. Little did each main character know that a much bigger problem was just around the corner.

But to my delight, as the reader, I found that each main character was open and honest about their internal struggles. What they were passionate about. What scared and worried them. Okay, so maybe they weren’t completely honest with the other characters in the story. But they were honest with me, the reader. On every page they poured out their hearts. Always honest and raw with the reader. Never fake with me. It was as if they trusted me with their deepest secrets. What more could a reader ask for?

Each one of these authors proved that it is possible to transport a reader to a specific time and place, introduce a seemingly real problem, and convince the reader that a fictional character has just as much heart and emotion as a real live human being. I never would’ve believed it if I hadn’t experienced it myself by reading books like these. I guess it’s true what they say, “If you don’t have time to read, you don’t have time to write.”

Read more guest blogs from YA authors here.

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There’s just something about an old house . . . Whether it inspires memories, fond or sad, or generates questions about the people who lived there, the things that might have happened within its walls, there’s just something about an old house that makes us pause and wonder, think, remember.

Join eleven authors as they explore the theme of “This Old House,” and invite you into the worlds of their imaginations. Whether it’s a mystery, a fantasy quest, a touch of romance, a scary story, a fond look back over the years, a touch of nostalgia or even heartache, there’s something here to satisfy every taste. Join the ACFW Ohio chapter in celebrating young writers, with the four top writers in our first scholarship writing competition featured in these pages. Students from Christian schools across the state were invited to send us their idea of “This Old House.” We think you’ll be pleased by what they created.

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Annika’s MG novel, I Lived Through a Wind Chill Advisory, won the 2024 Cascade Christian Writers Contest. Her YA novel, Red Rock, was the Cascade Christian Writers Contest winner in 2022. And her YA novel, Qualify, was a runner up in 2024. Over forty of her articles have appeared in numerous publications such as Keys for Kids.

In addition to seeking traditional publication for her novels, she is passionate about revolutionizing the Christian publishing industry. She has worked with numerous Christian authors to start a book fair in the state of Oregon, facilitate critique groups, and host events like the Author Spotlight and book clubs. Visit her on X/Twitter, Instagram, Facebook, and her website. When she is not wrestling with words for her novels, you can find her in the utility room battling her twelve children’s mountain of laundry.

Three Reasons I Write YA fiction

I started this month’s theme on YA fiction with a post about why you might want to write YA. I’ll wrap up with three reasons I write YA fiction.

My Natural Bent

I can’t fight it. I just seem to think in terms of a teen. In 2017, I was invited to write a short story set in Ohio with a Christian worldview. It could be any genre, any time period, as long as the setting was Ohio. I had the freedom to write any story I chose. I tried writing a humor piece based on a misadventure my sisters and I had during one Christmas when I was in college. As my husband kindly put it, humor is not my thing. I ended up writing “Debt to Pay”, a country noir set in Wayne National Forest and told from the point of view of a sixteen-year-old boy. This was published in an anthology, From the Lake to the River.

Last year, I had another opportunity to contribute to an anthology. Again, it was tied to Ohio, this time to its literary heritage. I changed course and wrote an inverse mystery from the POV of an elitist New York novelist who comes to my fictional Marlin County, Ohio, to plan a crime. This mystery became “Bovine” in Ohio Trail Mix. Writing from the perspective of an adult character stretched my imagination, but I still think I write best from the perspective of a teen or young adult because …

Teens Makes Great Amateur Detectives

A story that has an amateur solve mysteries is already asking the readers to suspend their disbelief. I think it’s easier for readers to do this if the amateur detective is a teen. Why? Because certain behaviors in a teen are understandable. Teens take risks that would make adults looks childish. They also make mistakes that lead to all sorts of plot complications because they are just learning how the world works. An adult wouldn’t commit nearly as many of those mistakes, making the adult characters more believable but less fun.

In my Christmas mystery, “A Rose from the Ashes”, nineteen-year-old Rae Riley comes to Marlin County to discover her father and her mother’s assailant and if the two are the same man. She does this secretly, entirely alone. A forty-year-old digging into family history might try to hire a private investigator. And a forty-year-old would certainly hesitate to confront a possible killer alone at an abandoned house with only a rifle as protection. A teen would think she could do it.

It’s Easier to Make Teens Grow

When creating a main character, writers are advised to make the character believe a lie, spend the story uncovering the truth, embracing that truth, and then the character has grown and changed by the end of the story.

This is fine character development for a stand alone story. But I find it difficult to sustain that sort of structure over a series. Eventually, the main adult character is going to look like dope because he or she has believed so many lies. Not that it’s not true in real life. I just find it hard to pull off in fiction.

But the teen period of life is a time of growth and change already. That makes teens perfect as a series main character. As he learns about life, he changes over the course of the series.

Why do you write in the genre or genres that you do?

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