Cyle Young’s article on how to write using the sense of smell has a great exercise to practice this type of description.

Writing about smell might be the most difficult sense for me. I think that’s because, first, I have a very dull sense of smell. I’m sure a skunk could spray at my feet, and I ‘d only notice a slight change in the surrounding air. My youngest has a terrific sense of smell and lets me know with questions like “How come your car smells so bad, Mom?”

A second reason for my difficulty is that, as abundant as the English language is, we don’t have a lot of words to choose from that concern only smells. We have to describe it in other terms, like the physical reaction to a smell.

Mr. Young points out no sense can stir memories like smell. A smell can be a very natural and meaningful way to start a flashback because everyone has had this experience. When I smell onions cooking, no matter where, I grow very nostalgic because it reminds me of my grandmother’s house. The combination of sunscreen and bug spray immediately reminds me of marching band camp.

I am going to revisit my novel The Truth and Other Strangers and review how I have used the sense of smell in it. Here are some settings and other characteristics of my novel where I could use it:

1. Mountains — My novel is set in the eastern mountains of West Virginia in July. The rhododendrons bloom in that month but don’t have much of a smell. I could use that, such as, “Funny, how something so pretty had no delicate scent to partner it.” Since my main character Junior loves being in the mountains, I would select only pleasant smells to support his feelings.
2. Food — Because Junior’s family is poor, he often is hungry. So the odors of food means more to him than to well-fed characters. He has recently lost the aunt who raised him, so I could use a smell to bring back memories of her and underline how much he misses her.
3. Vehicles — To me, vehicles have their own peculiar smells. Junior’s family has nine kids and owns a very old, battered van. All kinds of smells could be trapped in its abused interior.
4. Bar — Junior visits a notoriously rough bar twice. Describing only bothersome smells, like cigarette smoke and alcohol, would show how uncomfortable Junior is in this setting.

The Absence of Smell

The lack of smell can also be used dramatically. If your characters are animals and lose their sense of smell, that would be traumatic. In a work of speculative fiction, an object’s or area’s lack of smell could be a signal to the characters that something is horribly wrong.

How do you use the sense of smell in your writing?