Writing Clean and Sweet Romance

So happy to have YA author Melissa Knight back! As a romance author, she’s the perfect writer to give advice for writing clean and sweet romance. The stage is yours, Melissa!

As a romance writer, a Valentine’s Day mentality is always on my mind!  As a Christian YA romance writer, however, must passion be scaled down or sanitized to the point where love seems bland or blah?

It depends on your definition of romance, of course.  There are plenty of suggestive scenes in both adult and YA books that depict the steamy, physical side of mutual attraction. Is that romance?  How about the longing looks, the deep, dreamy sighs, the stars-in-her-eyes forgiveness of the big red flags signaling trouble ahead- is that true love?

In my YA world, I strive to keep the romantic interactions clean and sweet.  I don’t go beyond holding hands, hugs and a few light kisses. My audience knows what’s out there, however.  They hear their friends talk about going much farther than that, in their relationships. Perhaps they’ve made those choices themselves, with no regrets, and scorn a point of view teaching about sexual purity and waiting until marriage. How on earth am I going to engage, and hopefully influence, those readers?

The answer goes back to my original question, I think.  What is romance, really?  What moves a relationship from “I like you” to “I love you”? One we want to last forever? 

As a Christian, I ponder the gold standard of what true love looks like, and go from there.

“Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres.”

There are a bunch of verbs and actions in that passage!  Protects, trusts, hopes, perseveres!  Is patient and kind! Is not proud or selfish!  Wow, what young girl wouldn’t want a guy like that?  This passage is also a writer’s dream, because it outlines one of our cardinal rules:

SHOW, DON’T TELL

Love isn’t just words, it’s action.  So what does that look like, when writing a Christian romance that will intrigue even non-Christian teens?

I try to focus on all those verbs we just read.  Yes, the female main character will notice the way the guy looks, the sound of his voice, his roguish smile, the spark in his eyes, the way he gives her butterflies with a single look.  There may be teasing or tension in their conversations.  They may have shared interests or projects to move the relationships along.  But what will make them last, beyond a surface attraction? What will make the reader want to claim the guy as her book boyfriend?

Personalities influence actions, of course.  The arrogant guy is gentle with the girl, when she is upset. The popular guy is kind to the girl’s younger sisters, becoming their friends and treating them with respect.  These aren’t unusual actions, but that’s kind of the point. Though flawed, perhaps with pasts riddled with mistakes, the young men show kindness, forgiveness and protectiveness.  It’s part of who they are, revealing their hearts to the young women through their everyday decisions, not in some showy one-off display of showering the girl with candy and flowers, or eloquent flattery.

That is the kind of guy every girl should expect.  The kind of boyfriend we want our teenage daughters to dream of!

Romance is surely one of the simplest, yet most complex subjects to capture in words. Perhaps the Creator of romance intends it that way, always a work in progress.

Thank you, Melissa! To read her previous guest post on writing for teens, click here.

*****

If there’s a formula to great relationships, will Casey ever figure it out?

Lots of life changes mean much stress when Casey moves to a new town and high school, complete with a new stepfather and stepbrothers. Add broken friendships and a possible new romance to the mix, and the potential for things to go horribly wrong- or amazingly right- is yet to be decided!

And then there are the hard questions- is the faith in God that I used to have as a child still there? What does God really want from me?

“Feelin’ The Chemistry” is the first book in the Christian Contemporary YA series High School 101.

*****

Melissa Knight

I have spent most of my adult years surrounded by kids of all ages, having taught in public schools at almost every grade level. I did some writing “on the side” through the years, publishing articles and short stories in various magazines and publications for children and teens.  I kept collecting ideas and writing down what I hoped were cool scenes and characters.

Our teens deserve clean books that not only entertain but provide clarity in a chaotic culture. My aim is to write fiction that is real, relatable and attracts young adults to Christ!

I live with my husband in the heart of oil country, west Texas, have two amazing adult children, and am looking forward to adding a son-in-law in the not-too-distant future!

You can connect with me at these links: Amazon , Facebook , Goodreads , X

Couples in Fiction Need Conflict

Why do couples in fiction need conflict?

Because if you don’t have conflict, you don’t have much of a story. Let’s say I write a story about an engaged couple and all the mishaps that occur during the week leading up to their wedding, I’ll have the caterer cancel, the best man bow out because he has a terrible case of poison ivy, and the bride’s mother and mother-in-law locked in a passive-aggressive war over how to plan the wedding.

Now if the couple are never in conflict, then when they learn about the caterer, the bride suggests to the groom that they ask all the guests to bring one dish and the reception will be potluck. The groom loves the idea of friends and family helping them out in an emergency. The bride also suggests the groom ask his father to step into the best man role, and the groom agrees because he’s been quarreling with his father and now is the perfect time to bury the hatchet. The groom mediates between the two mothers, and the bride completely supports how he handles the situation.

Do you sense any story at all in that synopsis?

Couples in fiction need conflict for several reasons. First, to make a story. Stories must have a beginning, middle, and end, and those are usually described in terms of introducing the problem, efforts to solve or overcome the problem, and finally reaching a resolution of some kind with the problem.

Second, conflict is life, and if you want your couple to make any connection with your readers, you must add conflict to make the couple seem real. Third, conflict keeps readers reading. If you set up the conflict correctly, then readers will want to know how the couple deals with the conflict and what their ultimate solution is.

So how do you give a fictitious couple conflict?

Conflict in Goals

Giving the man and woman differing goals will create conflict, especially if the goals are mutually exclusive, such as the woman gets her dream job in Miami but that means the man leaves his dream job in Maine.

Conflict in Personalities

Opposites often attract, and a conflict in personalities is even more effective if the personality trait both attracts and frustrates the other person. For more on creating an attractive couple, click here.

Let’s say you’ve created an artistic, disorganized, laid-back woman character who’s fallen for a Type-A man character. She admires his take-charge personality and how well he accomplishes things. But she’s learning he also doesn’t ask her for advice on anything since he’s so sure he knows all the answers. He could admire her mellow attitude but also be frustrated when she doesn’t exhibit drive or ambition.

Conflict in Values

This one is serious in real life. It’s very hard to remain a couple if the members don’t agree on similar values. In fiction, you can reveal this conflict with children. Couples can gloss over different values until they have to apply them to their kids. Using the couple from above, what if Type-A Dad wants his kids signed up for every advanced class and sports opportunity while Mellow Mom wants to give the kids time to explore their own interests at their own pace? Now you have conflict you can work with.

Since couples in fiction need conflict, what kinds of conflict do you recommend? Or what kinds of conflict have you read about that really made the story effective?

Powered by WordPress.com.

Up ↑