Limerick Prompt

Because it’s National Humor Month and Nation Poetry Month, I wanted to combined the celebrations into one prompt and decided on a limerick prompt. Then I discovered I can’t write limericks. Haiku, yes. Acrostic poems, yes. Limericks–I can do the first two lines and get stuck. Here’s the limerick I started that was inspired by the photo:

There once was a lion and girl

Who decided to give friendship a twirl.

And that’s as far as I got. I even tried writing a limerick on my inability to write one:

There once was a writer in Ohio

Whose poetry made her sigh so.

I’m still stuck. I console myself with the fact that even gifted poets, like Lori Z. Scott, who will be guest blogging this week, have trouble with different poetic forms. She writes about her effort to tackle a sonnet.

If you can write limericks, please leave it in the comments below. Or if you get inspiration for finishing either of mine, I’d love to read it!

If limericks stump you like they do me, try last week’s spring acrostic prompt.

How to Add Humor to Any Story

No matter what genre, if a few characters in a story display a sense of humor, that hooks me as readily as quirky characters or an intriguing plot. Click here for a previous post on the importance of humor.

Inserting humor into a story, especially one with a serious premise, can be difficult. I’ve discovered how to add humor to any story by knowing my characters extremely well and allowing their natures to dictate their sense of humor.

Assigning the Correct Sense of Humor

In my YA mystery A Shadow on the Snow, my main character Rae is quiet, shy person. Most of her funny remarks are in her thoughts. Her uncle Hank is the family joker. He likes to tease relatives to show his affection, especially Rae’s father, his brother-in-law. This kind of humor seems appropriate for a laid-back, extroverted character. Rae’s father, on the other hand, uses sarcastic humor. That fits with his being a cop of fifteen years experience.

Rae jams in a band with two guys. Houston is from Texas. His sense of humor is exaggeration. When Rae asks him how he came to work in Ohio, he answers, “Like any good Texan, I was undone by a woman.” The other guy Chris is very reserve, and Rae finds it difficult to read his facial or body language. He has a very dry sense of humor that Rae only figures out when she sees an ornery glint in his eyes.

As I’m writing a scene, and a joke or humorous observation comes to me, I have to make sure I assign it to the appropriate character. Sometimes, I’ve had to discard something I think is funny because no character in the scene would make that kind of joke or comment. Writers don’t want to break the illusion of reality they create around their fiction. Jamming a joke in the mouth of a character just because I think it’s hilarious will shatter that illusion quicker than just about any other mistake.

My joker, Uncle Hank, can’t suddenly turn sarcastic because I want to dazzle readers with my wit. Or Rae’s father can’t tell a thigh-slapping joke when up until this point in the story he’s only used sarcasm. Readers won’t buy it, or even worse, feel cheated that a character has suddenly swerved from the personality they’ve come to understand.

For more on writing humor and comedy and what’s the difference, check out this very helpful article on “Almost an Author”.

What stories or shows do you think demonstrate how to add humor naturally?

“The Crime Wave at Blandings” by P.G. Wodehouse

April is both National Humor Month and National Poetry Month. I’ll be honoring both with prompts, tips, and guest bloggers. For my favorite story of the month, I’m featuring one of the funniest short stories I’ve ever read, “The Crime Wave at Blandings” by P.G. Wodehouse.

I wrote about P.G. Wodehouse a few years ago and featured his hysterical autobiography Over Seventy. A British writer, P.G Wodehouse created a unique comic world. He takes the British upper class of about one hundred years ago and gives it a madcap twist, along the lines of a screwball comedy or a Marx brothers’ movie.

“Crime Wave” is one of Mr. Wodehouse’s best and is often included in anthologies of his works. The opening gives you a flavor of his one-of-a-kind style”

“The day on which Lawlessness reared its ugly head at Blandings Castle was one of singular beauty. The sun shone down from a sky of cornflower blue, and what one would really like would be to describe in leisurely detail the ancient battlements, the smooth green lawns, the rolling parkland, the majestic trees, the well-bred bees, and the gentlemanly birds on which it shone.

But those who read thrillers are an impatient race. They chafe at scenic rhapsodies and want to get on with the rough stuff. When, they ask, did the dirty work start? Who were mixed up in it? Was there blood, and, if so, how much?”

This story is part of the Blandings saga, which concerns Clarence, Earl of Emsworth and owner of Blandings Castle. Not the brightest man, he longs to be left alone to putter about the ancestral estate, enjoying his roses and overseeing the care of the enormous sow he enters in the county fair. His sister, Lady Constance, constantly bullies him into acting more like a respectable member of the aristocracy.

In “Crime Wave”, Lady Constance has hired Rupert Baxter to tutor Clarence’s grandson George while the boy spends his summer vacation at the castle. Clarence loathes Baxter because Lady Constance forced him on her brother before as a private secretary with the job of making the earl act like an earl. George doesn’t like the look of Baxter, saying he “looks like a bit of a blister”. Clarence completely agrees with his grandson.

George has a BB gun and shoots Baxter to demonstrate his opinion of him. Lady Constance orders the butler Beach to take the gun away from him. During the afternoon, the gun passes through the hands of various members of the family as well as the butter, resulting in considerable confusion over who shot whom, although Baxter is usually the target.

P.G. Wodehouse stories are my literary equivalent of comfort food. In the past month, I was feeling so stressed-out. One way I handled it was to settle down at night with stories about whacky earls, wily butlers, dominating aunts, and all sorts of other nut jobs, all tied together in hilarious stories with more twists than a back country road.

What books or stories do you turn to for comfort?

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