First Step You Must Take to Write a Novel

What is the first step you must take to write a novel? It’s simple. You must read. As simple as it is, many aspiring novelists don’t realize how critical this step is.

Read What You Love

If you’ve decided you’re writing a political thriller, don’t limit yourself to just political thrillers. If you’re in the mood for a romcom, read that. All reading is helpful if you approach it with a teachable attitude. From the theology book, Mere Christianity, I learned how important it is to write precisely, especially when creating analogies. Reading the comic novels and short stories of P. G. Wodehouse showed me how crafting a humorous simile or metaphor can put fun in a story as well as reveals something about the character who came up with simile or metaphor. I have no plans to write a book on theology or a comic novel, but reading those books has had a profound impact on my writing because I approached them like a student.

Since middle school, I’ve loved to read about cryptids, like bigfoot and the Loch Ness Monster. Sightings of mysterious animals always give me a thrill as I wonder “what if”. How does that affect my mystery novels? I was able to include Ohio’s connection to bigfoot and the people who look for the creature in my latest Rae Riley mystery, A Riddle in the Lonesome October.

You Have to Know Your Genre

Whatever genre you want to write in, you need to know what the rules are for that genre because readers expect you to follow those rules. A mystery in which the detective does not reveal the identity of the murderer will leave mystery fans confused and ticked off. Also, knowing the rules of the genre backwards and forwards allows you to know when and how to bend the rules.

Don’t Read Only Current Novels

As a first-time novelist, you may have just come up with a killer climax to your space opera. If you aren’t well read in your genre, you wouldn’t realize that a famous novelist came up with that same climax in a best-selling space opera ten years ago. When you submit your novel to a publisher, or even just let family read your work, they’ll think your story is either unimaginative or boring.

Knowing the history of the genre you want to write will show you where the genre has been, what’s considered fresh and what’s considered old hat. Agatha Christie and Sherlock Holmes still loom large over the mystery genre. A new writer is well-advised to read some of their most famous works to understand why an author who died in the 1970s and a fictional character over a hundred years old retain so much influence over the genre.

Also, reading older novels can inspire you to put a fresh twist on their concepts. Tough female PIs became popular in the 1980s. What if you wrote about a tough female PI during the 1940s when the male version dominated? How could write your main character to fit in that historical context?

What do you love to read? Here are some of my favorite stories and books. No matter the genre or topic, they are stories I’ve learned something from.

Writing Tip — Casting Against Type

acting1-4013244_1280Last week, I mentioned director Alfred Hitchcock’s rule of maximizing a setting. He was also brilliant with his casting. He had to be. In a thriller, there’s little time for backstory or deep character development. I believe Hitchcock knew that if he cast certain kinds of actors who already carried a certain persona with them that would help flesh out their characters without a word of dialogue. If he needed a relatable, easy-going all-American male, he cast James Stewart. If he wanted a debonair leading man, he cast Cary Grant. But Hitchcock also knew the value of casting against type.

Strangers on a Train

In this movie from 1951, two strangers meet on a train. One is a well-known tennis player, Guy Haines . The other is a rich man’s grown son, Bruno Anthony. Haines’s troubled marriage is well publicized, and Anthony suggests they swap murders — he’ll do in Haines’s wife if Haines will kill his father. Haines’s gets away from the weirdo but humoring him and saying he agrees with the idea. Anthony takes him seriously and kills his wife. Now he expects Haines to uphold his end of the deal.

What made Bruno Anthony one of classic movie’s great villains was that he was played by an actor known for his cute, boy-next-door roles. To cast such an actor as a spoiled brat psycho was unusual at the time, but actor Robert Walker was up to the task. His Bruno glides into a room and charms everyone he meets. But when someone thwarts his plans, he’s like a child having a temper tantrum. Only this child has no problem committing murder.

Pyscho

Hitchcock pulled the same trick in Pyscho, casting Anthony Perkins as Norman Bates. Up until that role, the actor had specialized in sensitive types, sometimes battling against stronger characters or his own emotions or neuroses. Norman Bates can be seen as an extreme example of these roles. Anthony Perkins was cast so well that many people in Hollywood couldn’t see him in any part but a psycho after that.

Know Your Genre

One way to create characters that are cast against type is to have a thorough knowledge of the genre in which you write. In YA novels, the bratty rich kid and the decent poor kid are types I find over and over again. Often, the poor kid has won a scholarship to a private school and must deal with mistreatment at the hands of the rich kids until she is accepted or fights back or is changed by some dramatic events. Why not have the poor kid as the villain? One of the rich students could be the main character and comes under the sway of the new, poor kid, who uses others to get ahead.

What character types are you tired of? How would you cast them against type?

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