Behind the Scenes of A Storm of Doubts

I thought it’d be fun to give you a glimpse behind the scenes of A Storm of Doubts with a reimagined scene. Since the Chief of Police, Eric Simcox, is a reoccurring character and a rival to my main character’s father, I wanted to work him into Storm, even if it was only in a short scene. Here’s how I wrote that scene the first time.

First Version

Dad hung up the phone. “Simcox.”

That name said it all.

When Dad and I entered the lobby, Chief of Police Eric Simcox waited by Liz’s desk, his posture I-beam straight, like he was still in the army. About my height, the chief was built out of sharp, square angles—dark brown flat top, squared jaw, severely cut shoulders.

“I was on my way to lunch and decided to stop in and ask if there was any breaks in the Carlisle case.” He inclined his head a fraction. “Glad to see you’re all right, Miss Riley.”

 “Thank you, sir.” Based on our past brief history, I reckoned his relief was a mere formality. Like my thanks.

Dad said, “I’d call you if they were.”

Simcox nodded in one snapped motion. “You still don’t want to call in BCI?”

His patronizing tone made me itch to rip his tongue after enduring the heaps of sneers from Troy and Egypt. 

“Agents for the attorney general don’t want to help on a missing person case when we don’t know if a crime is involved.” Dad kept his gaze steady. “I know you think I can’t be objective because of my friendship with Jason Carlisle, but you’re wrong.”

“It’s easier to maintain a professional relationship with the public if you aren’t personally involved with them.”

“As sheriff, I have to be. I’m required by law to live in the county I serve. I can’t blow off every citizen because he or she might one day be involved in a case. Besides, people in rural counties like to know their cops.”

“That’s one theory.”

Obviously, it wasn’t the chief’s.

“I’ve served here long enough to know that’s a fact,” said Dad.

Simcox looked ready to offer another objection, but Dad went on, “I appreciate you and your officers volunteering your own time to check out some of the back roads.”

“I’ve got the list right here—” Liz patted her monitor “—if they want to cover anymore.”

“Local agencies should cooperate,” Simcox said in his toneless voice. “Keep me posted.” He marched out.

Liz twisted in her chair to follow him as he passed by the front window. “He’s not serious about you calling in state help?”

“Probably not. He just likes to remind me how I’m not fit for this office, how my connections to the citizens of Marlin County are a weakness.”

“But if you know people personally,” I said, “doesn’t that make you a better cop? I mean, you know people’s histories, and who hates who, and who’s friends with who, and all those sorts of relational things?”

“Yes, it does. And if people know me and my mom and my kids, it makes me look like a human being, and not just a cop, but I’ll never convince Simcox of that.”

“Nobody’ll ever mistake the Chief for a human being.” Liz spun back to her desk.

Dad glanced at his watch. “Rae, you’d better get moving. Liz, I’m going over to the jail to talk to my one conscious perp. If he says anything I can share with you,” he added, reading my expression, “I’ll tell you. But I’m sure what Troy told us will mostly jibe with anything Joseph or Falk will say. If it doesn’t, he’ll just claim they’re lying.” 

Then I began editing and needed to make some sizable cuts. That’s my editing style. I overwrite and then cut. When I realized that it didn’t make sense for Rae to go with her Dad to his office, I kept them in the setting from the previous chapter–their farm. And I turned the confrontation into a phone call.

Published Version

The landline rang.

Dad picked up and listened. His entire body went rigid.

“Yes, she’s fine, Simcox. Everyone in my family is.”

My eyebrows rose.

The Chief of Police hadn’t called out of any concern for Dad’s relatives. Not when he was still fuming over losing the election to Dad.

Dad listened again, his face growing redder and redder. “Excuse me for a moment.” His voice was hoarse.

He handed me the phone and placed my hand over the mouthpiece. Then he went out the back door.

My thoughts whirling, I lowered myself onto a stool by the counter.

A sharp roar made me jump, and in another minute, Dad returned to the kitchen. The deep scarlet in his face had faded to puce, and he gestured for the phone.

“I’m back, Simcox. Sorry for the delay. No, I don’t think I need to call BCI in on this case. Houston can handle it.” Dad went quiet, said good-bye, and hung up.

Bending his head, he gripped the counter.

“What did the Chief say?”

Dad shoved himself upright. “The case with Joseph and Falk is too tough for my department, so I should call in agents from the attorney general’s office for help. That’s just an excuse for him to remind me that he thinks I’m unfit for office.” He shook his head. “I shouldn’t let him get to me. Usually, he doesn’t because I’ve come to expect his insinuations. Today, I took it wrong.” He glanced at the clock on the microwave. “You’d better getting moving.

I still like the first version better, but sometime you have to sacrifice your “darlings” in order to make the book better.

Guest Blog on Historical Nibbles

Instead of my usual writing prompt, I have a guest blog on Historical Nibbles, a feature on the blog of historical novelist Sandra Merville Hart. Most of Sandra’s novels take place during or after the Civil War. Historical Nibbles showcases recipes from history, and my contribution is the history of pepperoni roll, which my characters eat in my novels, A Shadow on the Snow and A Storm of Doubts. Don’t know what a pepperoni roll is? Click the link above and learn about West Virginia’s unofficial state food.

Podcast Interview with Books on the Ridge

It’s always fun to do an interview for a podcast. I was very nervous for the first one I did years ago, but now I’m pretty comfortable with participating in them. Maybe because when I know a topic really well, I have confidence when I speak about it and nobody knows more about my books than I do. If that doesn’t give me confidence, nothing will. If you’d like to learn more about how I finally managed to write A Storm of Doubts and a peek at what’s next in the Rae Riley Mysteries series, click on this link for my podcast interview with Books on the Ridge.

There’s also a discount code announced during the podcast to get a deal on the ebook, audiobook, or paperback of A Storm of Doubts. So be sure to listen for it!

Character Inspirations for A Storm of Doubts

Where did I get inspiration for my characters? From just about anywhere. It could be the mannerism of a relative, a story from a friend, or the glimpse of a stranger in town. Below are some of the character inspirations for A Storm of Doubts.

My main character Rae Riley has three half-brothers. Her middle brother, Aaron, is nine and always conducting experiments or building projects that seem to go wrong only when their father is around. Aaron’s enthusiasm for science is based on my oldest. He’s more of a scientist while Aaron is a budding engineer, but the love of acquiring and telling others scientific facts is very much like my son.

I introduce Rae’s twelve-year-old cousin, Coral, in A Storm of Doubts . She is a very practical, no-nonsense kid. She loves the outdoors and working with her hands, which is similar to my youngest son. He does well in school, but he’s always happiest working outside on a project, or playing sports, or exploring nature. I thought it’d be interesting to give a female character interests that are more common in boys and see what I could develop from that. Those interests also tie Coral to her father and grandfather, who are both farmers.

I also give Rae’s great-grandfather Walter a pivotal role. I’ve had a lot of fun exploring his complicated personality. What I didn’t notice while I developed him was that I was pulling characteristics of my maternal grandfather. My youngest sister pointed that out, saying Walter came across as a mean version of our beloved grandpa. When I thought it over, I could see the similarities and found it strange how real people could influence my characters without me realizing it.

Writers, where to you find inspiration for your characters?

For more character prompts, click here.

How to Create Happy Characters

With all the advice about developing characters who are wounded, flawed, conflicted, or tragic, tips on how to create happy characters may seem out of place in 21st century books. But such characters are needed. There are happy people in this world, and to cram our stories only with bitter, cynical, desperate, or just plain mean characters isn’t accurately reflecting reality, which we writers attempt to do.

What is a Happy Character?

I don’t mean a characters who is always upbeat, even when a grizzly is chewing off her leg. Such ridiculously sunny characters aren’t believable. They’re also annoying enough to make me quite reading. I also don’t mean the relentlessly happy character, who is “cured” of his naivete when the real worlds hits him and he can’t handle it and falls apart.

A major character, who is generally happy, must have the same detailed backstory as any other major character. The happy character must have problems and works to solve them. She could have had a tragedy in her past. It’s just that this character’s temperament usually handles life with a smile.

Happy Characters in A Storm of Doubts

I have two characters in my Rae Riley mystery series that I would classify as happy characters–Rae’s grandmother Lydia and her uncle Hank, who’s married to her father’s sister. I use two different approaches to creating their happy personalities.

Lydia has seen her share of heartache. At 33, she was a widow with 3 kids. Now she’s raising her 3 grandsons with her only son because he’s a widower. But Lydia is the most contented person in my series. Rae says her grandmother’s dark blue eyes are “as clear and calm as the sky above us.” She rarely gets upset or raises her voice. If one of her grandsons misbehaves, she corrects firmly but not loudly or with hysterics. She doesn’t rattle easily, but when she does, like when Rae’s con man uncle returns to the county, then Rae knows the issue is serious.

It’s a lot of fun to right such a calm, contented character because she’s such a contrast to my other characters, who are more intense or anxious.

Rae’ uncle Hank Norris is the family storyteller and an extrovert, who loves to joke and tease. That kind of character can quickly become tiresome unless I show that there’s more to him than another punchline. I did that in A Storm of Doubts. When his older daughter gets into trouble while driving, Hank becomes stern and dishes out discipline. When there’s a crisis, he can become serious, but he will also alleviate the tension for others with a wisecrack. This is another character who’s fun to write because he balances other characters and plays well off them.

When a beta reader told me, “I like Hank. He’s jolly,” I knew he was doing the job I hoped for when I created him.

For more tips on creating characters, click here.

Who’s a happy character that you like?

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