Leap Day as Writing Inspiration

For this unique event, here are some unique suggestions for using leap day as writing inspiration.

Speculative fiction

Such an unusual day seems ready-made for inspiring speculative fiction. In the thirteen-book series, The Notebook of Doom by Troy Cummings, Alexander Bopp’s leap year birthday proves pivotal to the plot as he and his elementary school friends battle monsters in their hometown. The first book starts with Alexander moving to Stermont right around his birthday. The importance of his birthday isn’t revealed until the last book. Mr.Cummings uses this plot point cleverly and brings a cohesion to his series that I don’t always find in middle-grade books. The Notebook of Doom is a lot of fun for second and third-grade readers.

The rarity of leap year should signal something rare for the characters and plots of speculative fiction. Perhaps a character discovers her special power on February 29th and is at her most powerful on that day. A particular magical phenomenon only occurs on February 29 or during the leap year, and various parties try to take control of it.

To give a story an Indian-Jones flavor, two groups, one good and one evil, are attempting to discover some powerful object that is only accessible on February 29th. Once they find it, they must use it during the leap year. After the year is finished, the object becomes dormant.

Mystery

I’ve encountered two stories in which leap day was a crucial clue. In one short story, of which I can’t recall the title, an old diary is proved to be a fraud because the person who supposedly kept it had an entry for February 29th, 1900. Leap day occurs at the turn of the century every 400 years. 1600 and 2000 had leap days, but not 1700, 1800, and 1900,

In a radio episode of “The New Adventures of Sherlock Holmes” from the 1940’s, a Scottish nobleman waits for his inheritance, which will happen on his twenty-first birthday. Because he was born on leap day, he is 84 years old but has only had twenty actual birthdays. A key plot point, again, is the fact that 1900 did not have February 29th. The nobleman must wait until 1904 to celebrate his twenty-first birthday.

Here’s another approach: greedy relatives contest the will of a wealthy woman because she instructs her lawyers not to make its contents known until the next leap day. Why the condition? A relative plays detective to uncover the answer.

Or a small town had a notorious murder committed on February 29th. Legend has it that the ghost returns every four years. The town’s tiny police force is strained to the limit dealing with an invasion of ghost hunters. When one ghost hunter turns up dead, the cops have to figure out if there’s a connection between the old murder and the new one.

Other Genres

In a romance, a couple meets on leap day. Events and their own flaws tear them apart, but on the next February 29th, they have a chance to reunite. Another idea is for a couple who met on leap day to hold a special celebration every four years, and the story charts the development of their relationship on those days.

For a family drama, a tragedy on leap day still haunts the survivors years later. On another leap day, a character somehow brings peace to the family so they can move on with their lives. Perhaps the family had a misconception about the tragedy.

For more ideas on how to February can inspire your writing, check out this post.

How can leap day as writing inspiration ignite your writing?

Monday Sparks — What’s the Setting?

For February, the theme is setting. I am in the middle of reading an extremely helpful book on the subject, Description & Setting by Ron Rozelle. One piece of advice found in the book is to always carry a journal with you so that if you find an interesting setting or person, you can jot down all your impressions, then refer back to these impressions if you want to use that setting or person in a story.

For today’s prompt, I’m going to imagine that I’m sitting in this crowded room. What impression does it make on me? Here are my notes.

  • Crowded, knees cramped under table
  • Smell a very strong perfume, choking me
  • Lots of rustling papers, creaking seats
  • Smell something spicy. Lunch? Cologne?
  • Speaker’s voice — very flat, uninteresting
  • Heat from so many crammed in one room
  • Take off jacket
  • Warmth makes me want to find freedom
  • Doodling. Several other people are too.

If I need a scene with a crowded meeting or classroom, and my main character is bored, I can draw on my notes from this setting. Here’s a possibility.

If the exalted bosses of CJ&M actually want us to get something out of this meeting, couldn’t they find a presenter who speaks in more than one tone?

Scooting back my seat to stretch my cramped legs, I bumped the table behind me. Murmuring an apology over my shoulder, I caught again the choking odor of lilacs. Who had decided that twenty dabs of perfume wasn’t enough? I coughed and peeled off my jacket, the back of my shirt damp.

What notes would you make about the setting?

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