When a Character Turns into a Problem Child

When a character turns into a problem child, a writer wants to administer a serious time-out session.

I ran into this frustration while writing my YA mystery. My main character Rae belongs to an extensive, extended family. I decided to give her father an older sister, a younger sister, and a younger brother. The dad and his two sisters came to life early and easily. But Younger Brothers turned into a problem child. No matter what approach I took, I couldn’t develop him into an interesting character, one who would contrast with his siblings.

If you are faced with a character who turns into a problem child, try these four trouble-shooting techniques.

Change the Name

Naming characters appropriately is critical for me when developing them. If I give a bubbly character a name that somehow suggests a quiet, sensitive type, the character won’t work for me. But the name wasn’t Younger Brother’s problem.

Change the Face

This is the same as changing the name. Usually when I build a character, I start with a face that I’ve seen somewhere and that signals a certain kind of personality. Younger Brother’s face suggested a reserved, intellectual, but I had another character like that who was working well within the story. I thought maybe I just needed to …

Write a Scene with the Character

This technique had worked with Rae’ grandmother. I knew I had to have a grandmother, but she proved a slippery character, her personality assuming all sorts of traits as I tried to structure her in my mind before I began writing. Finally, I decided to stick her in a scene and see what happened. Pretty soon, Gram’s mellow, warm-hearted personality shone through, making her a nice contrast to her son, Rae’s father, who is a worrier.

But when I wrote a scene with Younger Brother, he became irritating, sounding whiny. So the only thing left to do was …

Combine or Eliminate the Character

I offed him in cold-blood with a a lot of relief. I simply didn’t need him. If I hadn’t already had a character similar to him, I might have taken his qualities and those of another character to combine them into someone new.

I think the reason I worked so hard to keep him is that I often create groups of four characters. I’m one of four sisters, so I understand how that group dynamic works. What I had failed to realize was that I already had a group of four characters. Oldest Sister married the neighbor boy, whom Rae’s father and sisters grew up with. So he’s like a brother, although an older one to Rae’s father. But I’ve had a ton of fun writing about how the brothers-in-law jab at each other.

Click here for more tips on creating characters.

Have you had a character turn into a problem child? What did you do to fix it?

Creating Quirks for Characters

So much work goes into creating believable characters that writers sometimes forget to have fun with the process. One way I’ve discovered to keep from letting character development to become a chore is creating quirks for characters, fun traits that make my characters seem more likable or real or relatable. I believe one of the reasons for Sherlock Holmes enduring popularity is his quirkiness. Fans love that he keeps his tobacco in a slipper and his unread letters stabbed to the mantel with a knife. Those eccentricities make him seem more real because we all have habits that we like but can’t explain why we like them. If I can eventually work a quirk into a plot point, so much the better. Below are six ways to create quirks for characters.

Mannerisms

I’ve noticed that many time when I pray, I run one or both hands through my hair. Also, when I am losing patience but trying to hang onto a few manners, I smooth my eyebrows. Characters’ mannerisms can be connected to an activity or emotion and reveal or conceal thoughts and feelings. My main character Rae in A Shadow on the Snow tugs on her earlobe when she’s thinking.

Speech

Giving characters unique phrases helps their dialogue stand out. I use “Shoot” or “Shoot fires”, an exclamation I learned from my dad. I don’t know what “Shoot fires” means, but I still use it. My dad was raised in West Virginia, so I gave that phrase to Rae who grew up all over the South.

Hobbies

I try to choose hobbies that for my characters that I know well, I’m interested in, or can develop an interest in. I don’t like fishing, but my youngest loves it. Through this enthusiasm, I’ve learned a lot about fishing and find it easy to create a character who lives to fish.

Fears and Hates

Dislikes can be as telling as likes. The mystery series Monk was built around the main character’s phobias. Rae’s father is sheriff of their rural Ohio county. He’s an imposing man, 6’6”, and grew up on a farm. I thought it would be funny, and humanizing, if he had a fear of horses. It would be especially humorous since his sister and brother-in-law board horses and give lessons. It also gives his brother-in-law something to joke about.

Food

I may raise a few eyebrows by admitting I am a writer who prefers tea to coffee. I gave that preference to Rae. She will also eat pickles for any meal, including breakfast. Giving your character strong opinions on food is a fun way to add realism. The gourmet eating habits of the detective Nero Wolfe made up a large part of his character and sometimes major plot points.

Personal habits

Getting to know a character’s personal habits makes them seem like friends. Indiana Jones wears a fedora. Agatha Christie’s detective Hercule Poirot dresses immaculately and is vain about his magnificent mustache. A character’s deviation from her normal habits can kickstart a plot. Mystery stories often begin when someone notices a character break a habit for no apparent reason.

Be Aware

Creating quirks for characters are fun, but it comes with pitfalls. I shouldn’t overload my character with quirks, or repeats their quirks too often. They will stop being engaging and become irritating. Even more important, I can’t create a character that’s all quirks and no substance. Sherlock Holmes has held the fascination of fans for over a century because a deep personality supports the quirks. I’ve read stories where a character is nothing but a collection of cute habits. So he or she is not really character. No internal structure exist on which to hang all these quirks.

Who are some of your favorite quirky characters? What quirks have you given your characters?

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