Writing Tip — Parts of Speech — Noun

For basic information on nouns, visit this post at Almost an Author. Ms. Toler-Dougherty writes about how specific nouns need capitalized. For example, “church” vs. “Walnut Ridge Presbyterian Church”. But I leared from my editor Sharyn a different kind of specificity when it comes to nouns.

“Be specific!”

As my characters drive into the West Virginia mountains, I wrote about the shrubs growing close to the road and the trees making a ceiling overhead.

Sharyn said, “Be specific!”

She meant: What kind of trees? Eastern hemlock? Walnut? Coconut? What kinds of shrubs? Mountain laurel? Holly? What?

My characters sit down to a meal of soup and bread.

Sharyn said, “Be specific!”

What kind of soup? Tomato? Chicken noodle? Shark fin? What kind of bread? Whole wheat, white, or rye?

One reason I didn’t make my nouns more specific was because I didn’t think readers wanted that much detail. Another reason was I thought too many details would slow down the narrative.

That’s true if I describe the soup as “chicken noodle soup with lush, homemade noodles and thick chunks of chicken” when those details add nothing to the story. But just adding “chicken noodle” to “soup” helps the reader make a more vivid “work picture”, as Sharyn says.

I didn’t specify the plants and animals of the mountains because I didn’t know them that well.  But my narrator would because he has lived in the mountains all his life. So, instead of being lazy, I am doing research and will try to visit the location of my setting so I can get the species right. I won’t dwell on the botany of each plant, but writing “the red oaks and hickories made a canopy over our heads” sounds so much better than “the tall trees made a canopy over our heads.”

As long as I drop in the precise nouns just where they are needed, my story will be richer not slower.

Writing Tip

gerund-1025453_1280Verb, That’s What Happening

On Almost an Author, Hope Toler Dougherty will be discussing parts of speech this year and started with verbs.  Click here to read.  I am adding what I have learned so far about using verbs.

Strong Verbs

When I was in college, a visiting author said she told some local reporters to use strong verbs in their writing.  This is something I am relearning since I hired a fellow writer who is also a free-lance editor to edit my novel.

For example, let’s look at the sentence.  “He walked across the street.”

Really?  Is that all he did?  I don’t want to waste an opportunity, so I need to pick a verb that conveys more action or description or both.

  • If he’s angry: “He marched”, “He stalked”, or “He stormed off”
  • If he’s in a hurry: “He ran”, “He raced”, “He scurried”, or “He dashed”
  • If he’s relaxed: “He strolled”, “He sauntered”, or “He moseyed”

Some other words for “walk”: “ramble”, “wander”, “parade”, “tramp”, “hike”, “tread”, “pace”, and “step”.

Because I write from the first-person point of view of a teenager, I don’t want to use verbs only an adult would use.  But my editor pointed out that in my effort to stay in character, I used the same verbs too often, which will bore my readers.

“Look” was the major culprit, not only as in “to see” but also in appearance  I need to find synonyms that add variety to my writing while staying in character.  Turning to my hand-dandy thesaurus, I find listed under “look” the synonyms “behold”, “perceive”, “discern”, “inspect”, “scan”, “stare”, “seem”, and “appear”.  I won’t use the first three because my character wouldn’t use those words.  But the others will work.  So will “glance”, “glimpse”, “turn”, “move my eyes”, and “shift my gaze”.

If you write in third-person, select verbs that convey the correct meaning but not ones so obscure they send your reader to a dictionary, or worse, to another book.

My editor pointed out there is one place where you don’t want strong verbs.  I’ll talk about that next time.

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