Second Key to Publishing

Last week, I wrote about what I see as the first key to publishing, researching the industry. This week, I’m discussing the second key to publishing, networking. I don’t really like the tern “networking”. Although it refers to professional relationships, it still sounds cold and a bit predatory. So when networking, not only should we get to know people who can help us in our publishing journey, we should look for people we can help as well. Networking should be a two way street.

Getting to Know People

I would have published nothing if I hadn’t crept out of my introverted shell and began talking to people in the publishing industry. My first step was to join the Ohio chapter of American Christian Fiction Writers. Writers with different sorts of successes were in the group and welcomed me as a rookie. Two years after I joined the chapter, two authors, Tamera Lynn Kraft and Michelle L. Levigne, proposed our chapter publish a collection of Christian fiction short stories set in Ohio. I jumped at the chance.

Tamera and Michelle decided the anthology would be the first book published by their new press, Mt. Zion Ridge Press. Because I worked hard to write a decent story and acted professional as I met deadlines and helped to promote the anthology, I established some credibility with them. When they asked for submissions for a Christmas anthology, I wrote “A Rose from the Ashes”. Tamera and Michelle like that so much that they wanted to see what I wrote next, which led to A Shadow on the Snow.

All of these stories saw the light of print because I got to know writers in my writing group.

Helping People You Know

As I’ve blogged and attended writing conferences, I’ve met writers I can help. When author Philip Rivera, who writes funny family stories, asked for critiques, I was able to give him my opinion. When YA author M. Liz Boyle asked for information on doing audiobooks as an independent author, I asked Michelle Levigne, who provided detailed advice. Author Therese Van Meter and I phone each other regularly to offer encouragement on our writing journeys.

I feel better if I can help someone, especially if I can offer help that I wished I’d had when I first looked into writing and publishing.

What’s your opinion on the best way to network?

Writing Tip — Imagery

chalkboardw-2495162_1280The lesson I learned from P.G. Wodehouse is that a vivid description, especially a humorous one, not only makes the subject come alive but also makes it memorable.

Mr. Wodehouse was a master at creating with imagery that crystallizes a character or a situation. Here are some of my favorites:

He “looked as if he had been poured into his clothes and had forgotten to say ‘When!’”

“Jeeves and the Impending Doom”

To describe someone completely taken by surprise, he wrote “Aunt Agatha, whose demeanour was now rather like that of one who, picking daisies on the railway, has just caught the down-express in the small of the back.”

“Aunt Agatha Takes the Count”

Describing an angry school teacher who thinks a guest is about to tell her students an inappropriate story, he writes that the teacher cut off her guest, “rising like an iceberg.”

“Bertie Changes His Mind”

“As a rule, you see, I’m not lugged into Family Rows. On the occasions when Aunt is calling Aunt like mastodons bellowing across primeval swamps …”

The Inimitable Jeeves

“The Duke of Dunstable had one-way pockets. He would walk ten miles in the snow to chisel a starving orphan out of tuppence.”

“In moments of excitement she had that extraordinary habit of squeaking like a basketful of puppies”

“He resembled a frog that had been looking on the dark side since it was a slip of tadpole/”

compiled in Plum Sauce by Richard Usborne

I especially like the one comparing feuding aunts to mastodons. All these images are funny and memorable, and half the fun of reading Wodehouse is finding nuggets like these.

In My Own Writing

My novel is crime fiction and not humorous, but I gave my main character a sense of humor, so some of his descriptions can be funny. Because he lives in the West Virginia mountains and loves nature, he describes people in terms of animals, “like a toad ready to pop” or someone is “grinning like a grizzly.”

Even when humor isn’t appropriate for a scene or story, I still try to follow Mr. Wodehouse’s style, summing up a person in a brief but vivid way, what my writer friend Michelle L. Lavigne calls “a handle”.

In a short story I wrote recently, I needed a way for my teenage main character to describe two people he had seen for the first time. He call one man in his twenties “Mr. Smooth” because of his slicked hair, clean-shaven, pretty face, and fashionable clothes. He calls a well-dressed woman “Fashion Model”.

What are your favorite kinds of imagery? How do you use them in your writing?

 

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