Nonfiction That Complements the Novel

Cindy Thomson returns to my site today, and just in time for St. Patrick’s Day! Cindy has written three novels set in Ireland during the Dark Ages as well as nonfiction that complements those novels. Click here to read her previous guest blog. Glad to have you back, Cindy!

Before I published a novel, I dreamed of not being called an author, but a novelist. I’d written some magazine articles and was in the process of having a baseball biography, Three Finger: the Mordecai Brown Story, I co-wrote published so I could rightly be referred to as an author, but novelist was my ultimate goal. Then after my first novel, Brigid of Ireland, was published, I realized that I had done a lot of research on the history of ancient Ireland that I thought readers might be interested in. And so I returned to nonfiction with a book titled Celtic Wisdom, published by an imprint of the same publisher. That book went out of print and having the rights returned to me, I re-published it under the title The Roots of Irish Wisdom, Learning From Ancient Voices. As I continued to write novels in that ancient time period, I followed Roots up with a book titled Celtic Song, From the Traditions of Ireland, Scotland, England, and Wales.

You might wonder if I was enjoying nonfiction after professing my love for fiction or if it had been a simple business decision. There was a time when I told the agent I was with back then that I was afraid I might be better at nonfiction than fiction. That was a reluctant confession because as I said, fiction was my dream. Readers are the final judge, but that no longer concerns me. I enjoy writing both and can foresee doing so in the future especially when the nonfiction has a connection to the fiction.

I write historicals. As a reader, I’m interested in the background history of a novel. Had an English king actually relinquished his crown to marry a divorcee? Were American-Italians actually sent to internment camps along with the Japanese during WWII? A really good story will often send me off to look up more information. Many of the readers of my books tell me they are the same way so this is an instance where nonfiction and fiction can marry happily. But I also write some baseball pieces. A biography on a little-known player that I wrote about will soon appear in a book on the Federal League. I haven’t written any genealogy articles lately, but I hope to return to that one day. These are nonfiction projects that I enjoy and I’ve done these types of articles and essays for many years, long before my fiction was published. I think it’s okay to have many interests as an author. But the idea that nonfiction can pair with fiction only came to me after my first novel came out. And it took me awhile to write the second book, but I would like to continue if I can. I’m curious about things so my readers will likely see me put that curiosity into research that will eventually come out in a book somewhere.

What about you? Do you follow up novels with some nonfiction reading?

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I thoroughly enjoyed Celtic Song. So much interesting information. In Celtic Song, I learned that my favorite hymn “Be Thou My Vision” might have originated in the eighth century, and it is written in the poetic form called a lorica. I’d never heard of that kind of poetry before I read Cindy’s book.

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Known for the inspirational Celtic theme employed in most of her books, Cindy Thomson is the author of six novels and four nonfiction books, including her newest, Finding Your Irish Roots. A genealogy enthusiast, she writes from her home in Ohio where she lives with her husband Tom near their three grown sons and their families. Visit her online at CindysWriting.com, Facebook, Twitter, Pinterest: @cindyswriting and Book Bub: @cindyswriting.

Guest Blogger Maryruth Dilling

My guest blogger Maryruth Dilling, is new to JPC Allen Writes. She kindly volunteered to do this post when I was looking for guest bloggers who write both nonfiction and fiction. Welcome, Maryruth!

This past November during NaNoWriMo 2019, I took a giant leap at a writing project I had been percolating in my head for over a year. I’m a nonfiction writer who creates educational programs to help people move from barely surviving to abundantly thriving. For my first real attempt at NaNoWriMo, I wanted to try something different in the fiction realm, using the novel as a vehicle to educate. 

I didn’t meet my word goal, but I learned a great deal about the difference in writing a novel and writing a nonfiction, educational piece. 

When I develop a class, I may jot down ‘session’ divisions (similar to chapters), but it is mainly with the purpose of making sure I do not leave anything important out. If I find I have too much information for one class, I will develop a second class (similar to a second book in a fiction series). 

With my classes, I write from decades of knowledge. Organizing sections happens almost as easy as breathing to me. With the move toward the fiction genre, I had to learn some new skills. 

The first thing I realized was that I needed to flesh out my characters. This took time, but they soon took on a life of their own. I also needed some type of outline. Normally, a ‘pantser’ when I write, I learned that even though parts of the story could be done as such,  some type of loose outline was needed. 

Personally, I did not write a full outline. Since it is a dystopia book, I jotted down some scenes which were important to build suspense and lead the reader to where I wanted him to go, giving him a reason to want to learn what I wanted to teach. 

Other differences, outside of character development and outlining, I had to brush up on dialogue skills. With my usual nonfiction, I had no need of dialogue. The dialogue itself was not difficult. Remembering the bits and pieces of punctuation with dialogue required review. The challenge was that when I began writing, I wanted the main character to be the aunt who is the knowledgeable one teaching about herbals. Instead, after the first chapter, an original secondary character stole the main spot in the story. This led me to rewriting a few sections. I do believe with the new main character, the story will be stronger, leading to more lessens for both the characters and the reader to learn. 

Another new lesson for me to brush up on with fiction is writing the scenery. With program development, no scenery is required. Scenery development has been the biggest struggle to learn. Show, don’t tell, is a mantra writers often hear. Learning to combine enough detail to put the reader in the same time/place as the character, yet not become bogged down by details is a skill I’m still working on. 

With the scenery, I decided to write enough detail to remind me of where I want the characters to be in the rough draft and fine tune the scenery when I go back for my edits. In the meantime, I continue to learn about improving my craft as I move from only writing educational nonfiction to using the vehicle of fiction as a teaching tool. 

I hope my experience has motivated you to step out of the comfort zone of your current genre and step into a new world. 

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Maryruth Dilling, author/speaker/coach, describes her job as CEO/Founder of Kindling Dreams as one who educates, challenges, and encourages as she helps people through personal coaching and educational programs to achieve their potential. For more information on available services or products, contact Maryruth at kindlingdreamsllc@gmail.com or visit her website at kindlingdreams.com. You can also visit her on LinkedIn and Facebook.

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